MikeS
Bengalsologist
Here's my Warmoth SG project that I am looking to prep for paint soon. Trouble is, I can't decide on a paint scheme! I only wish I could do them both. Anyway...
1) Fender Coppertone Metallic - Coverage over entire instrument. All hardware in chrome (already have). I absolutly love coppertone metallic with a tortoise pickguard, which I would likely use with this color scheme. This is the easiest of the two options, although, definatly not as striking of a paint scheme. With the maple neck, this would replicate the classic Fender color scheme.
2) Heritage Cherry & Gold Top Gold - Idea is to spray a base of Heritage Cherry, then mask off some flames and spray the flames in Gold Top Gold. Then, I would want to separate the colors with white pinstriping. I think this combo could look absolutly amazing, but would require a lot of work. First, I've never done pinstriping, so I have absolutly no confidence when it comes to doing it right. Second, the build up of primer and gold over the red would make getting a smooth laquer clear coat very challenging. Again, a classic color combo, but with a twist.
Below is a pick of the body and neck. The neck is Pau Ferro on Maple with bound fret board and block inlays. It's already finished, so keep in mind how the neck will look with the finished body.
1) Fender Coppertone Metallic - Coverage over entire instrument. All hardware in chrome (already have). I absolutly love coppertone metallic with a tortoise pickguard, which I would likely use with this color scheme. This is the easiest of the two options, although, definatly not as striking of a paint scheme. With the maple neck, this would replicate the classic Fender color scheme.
2) Heritage Cherry & Gold Top Gold - Idea is to spray a base of Heritage Cherry, then mask off some flames and spray the flames in Gold Top Gold. Then, I would want to separate the colors with white pinstriping. I think this combo could look absolutly amazing, but would require a lot of work. First, I've never done pinstriping, so I have absolutly no confidence when it comes to doing it right. Second, the build up of primer and gold over the red would make getting a smooth laquer clear coat very challenging. Again, a classic color combo, but with a twist.
Below is a pick of the body and neck. The neck is Pau Ferro on Maple with bound fret board and block inlays. It's already finished, so keep in mind how the neck will look with the finished body.
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