"Communication Breakdown" Tone

Re: "Communication Breakdown" Tone

Tele into a Supro 1x10 combo, with a replaced 12" speaker, and with a Vox Tonebender pedal.
 
Re: "Communication Breakdown" Tone

Alright, spill it.

is this one of those tracks where Jimmy Page played a Tele, or something other than a LP?

There's nothing to spill; it's common knowledge. He didn't have his Paul yet when they made the first album.

Here is a live video with the Tele:

Zeppelin at their absolute best IMHO. My favorite song, my favorite tones, before their enormous egos had set in... Great ****. To my ears, Page's best tones were in the pre-Les Paul years.

Even though he got the Paul in time for the second album, AFAIK he never fully retired the Tele from use in the recording studio.
 
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Re: "Communication Breakdown" Tone

Page's best tones were in the pre-Les Paul years.

Blasphemy! Great energy and playing on LZ I, but some of the guitar tones were a little thin. Overall tone quality was definitely upgraded on LZ II. Regardless, undeniably two of the best blues-rock albums ever.
 
Re: "Communication Breakdown" Tone

The dominant sonic ingredient in the Zep1/Zep2 formula was this ...

Vox Tonebender pedal.

Frankly, the choice of electric guitar was largely irrelevant.

As for Page's later Zep career, he owned numerous guitars, multi-tracking layers of various instruments to construct the overall recorded timbre.
 
Re: "Communication Breakdown" Tone

Blasphemy! Great energy and playing on LZ I, but some of the guitar tones were a little thin. Overall tone quality was definitely upgraded on LZ II. Regardless, undeniably two of the best blues-rock albums ever.

Come on man...name the thin tones on LZ I???

That's a GREAT album and an album that almost single handedly pushed up the price of any amp that said Supro and all Tone Benders fuzzes thru the roof!
 
Re: "Communication Breakdown" Tone

i find it interesting that the SOLO tone is thinner than the riff.

Not odd at all IMO. That is usually the case in most music, both by design, and just by the nature of musical arrangements. One instrument taking a melody/solo separately from the group, is usually going to sound "thinner" than the "riff." It's kind of the whole point of doing the solo in the first place - to provide a singular melodic contrast from the unitary sound of the "choir."
 
Re: "Communication Breakdown" Tone

Yeah...wah in a toe down position but the thing you have to remember is that Jimmys wah on LZI is unlike any other wah ever made so a standard Crybaby or Clyde style won't wan't get that...

It's close but not the same...
 
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