Re: Compound radius - thoughts?
when ever i fret dress straight radius necks of my own i slightly compound them.. on my Fender necks that have a 9.5 radius i'll use a 12 inch block on the last 10 frets or so... a 10inch for the rest... plus sometimes i'll use a file to make the B string area from the 12th fret to the end of the neck ever so slightly flatter to reduce fret outs completely...
Coumpound radiusing does work well when set up right!!! a straight radius neck with the string spread apart wider at the bridge makes it interesting.. the strings are slightly sitting on an angle across the radius of the neck... since the string spread at the nut is narrow and the strings at the bridge is wider they sit funny on a straight radius neck... and the sharper that radius is and the wider the string spread is the more effect it has on fretting out and so on.. that is why i'm not a huge fan of vintage spec Fender strats, they are a bit of a design challenge for modern playing... only slightly an issue, but modern changes to the board radius's and bridge and nut widths have helped a lot for player comfort... a compound radius offers the E strings to sit nice and lower as the radius flattens down the neck...
some players hate the compund radius's... but i like them... i also like vintage spec strats even if i have issues with the design.... i like all of them i guess...
when ever i fret dress straight radius necks of my own i slightly compound them.. on my Fender necks that have a 9.5 radius i'll use a 12 inch block on the last 10 frets or so... a 10inch for the rest... plus sometimes i'll use a file to make the B string area from the 12th fret to the end of the neck ever so slightly flatter to reduce fret outs completely...
Coumpound radiusing does work well when set up right!!! a straight radius neck with the string spread apart wider at the bridge makes it interesting.. the strings are slightly sitting on an angle across the radius of the neck... since the string spread at the nut is narrow and the strings at the bridge is wider they sit funny on a straight radius neck... and the sharper that radius is and the wider the string spread is the more effect it has on fretting out and so on.. that is why i'm not a huge fan of vintage spec Fender strats, they are a bit of a design challenge for modern playing... only slightly an issue, but modern changes to the board radius's and bridge and nut widths have helped a lot for player comfort... a compound radius offers the E strings to sit nice and lower as the radius flattens down the neck...
some players hate the compund radius's... but i like them... i also like vintage spec strats even if i have issues with the design.... i like all of them i guess...
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