One thing to understand is that there are different audio tapers, 10%, 30%, etc. (I'm not talking about the value tolerance, but the taper). Vintage guitars had an audio taper that is smoother than what most stock CTS and other audio pots have these days. This is why there are many new "custom taper" pots out now that try to replicate the audio taper used in those vintage pots. The stock CTS these days does just the opposite of what the linear volume pots in production Gibsons do, when using distortion especially. With the linears, you have to turn way down to around "2" on the pot to get any change in volume, then it quickly shuts off, making fast rhythm/lead changes tricky. The stock CTS does the opposite, all the change is in the last couple of settings (between 8-10), so you still don't have a smooth transition in volume. The vintage taper is much more gradual, making it easier to do slight differences in volume without fiddling with the pot so much. So, I think the best bet these days is to look for higher tolerance (5-10%) audio pots with more of a vintage taper, buying ones that are metered and selected to be close to stated value is even better, but more costly. Stock CTS have 20% tolerance, so your 500k pot can be as low as 400k, and as high as 600k, usually they are in the lower range. I think paying a little more for a custom taper pot with closer tolerance is worthwhile. There are many to choose from lately, some more expensive than others, and most of them are custom ordered to spec from CTS with the different taper and tolerance than CTS's stock audio pots.
Al