Delay pedals

Well, they serve 2 different purposes. I like digital that can also model analog, because I am constantly controlling the delay time and feedback with an expression pedal. I also sometimes compose with really long delay times (10-20 seconds). So only digital will do that. Analog pedals, like my Vapor Trail, sound glorious, but have much shorter times and not a ton of control unless you bend down and start twisting knobs.
 
both. on my big board im redoing i have an analog set for solos then a programmable digital with tap tempo to get either quick slap back or longer ambient delays or whatever else i need. on my three and four pedal boards they each have an analog delay, and on my five pedal board there is a digi with tap tempo. this is assuming i bring a pedal board which isnt that often
 
On my worship board, I now have both. The analog is set for short slap back with a couple repeats. The digital is for the more ambient and longer delay times. There's a bunch of modes on it but I have it set to digital. With my amp setup, it's what's in the amp, which is a digitized analog sounding delay. Tap tempo is on hand as well. Nice and simple setup there.
 
I kinda regret; I didn't buy the "matching" Boss mini rack digital delay, when i got my GE-10. I would even get a discount from the seller :/

But my Joyo Nascar Delay, sounds glorious, true analog bucket brigade delay, max time about 350ms. :)

love it.
 
Should be 3 categories actually:

Digital, Analog (bucket brigade), Tape

Tape for me (real or simulated) for that killer ambient, slightly-modulated delay wash.

My UAD EP-34 plugin in action:

 
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On my worship board, I now have both. The analog is set for short slap back with a couple repeats. The digital is for the more ambient and longer delay times. There's a bunch of modes on it but I have it set to digital. With my amp setup, it's what's in the amp, which is a digitized analog sounding delay. Tap tempo is on hand as well. Nice and simple setup there.

Which ones do you have?
 
Analog for me. I mainly use delay with a short time and a few repeats for boosting lead lines into sustain land.

Other than that, the self-oscillation properties of analog delay is a ton of fun to play with. I have found nothing better than the Boss DM-2 for my needs.

I used to have a DM-2 from the early 80's but I sold it after I built a clone of it.
 
you can totally run both at the same time if you know what you are doing. too many repeats can lead to cacophony but hell, some people like that. i dont usually run many repeats on any of em so both gets spacey but not crazy
 
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analog, (or tape? never tried one) for me.

There's something about that analog "life"; that no digital unit or plugin can recreate. :/ ... In a "close" setting, atleast- i.e. when playing live with all analog gear.

on recordings, that "life" is not recorded in the same way; though it def. affects *my personal* performance :).

.. I'm kinda eccentric though; other people have different taste, experiences and settings. :D

-E
 
Another vote for both. I have a Carbon Copy and a BOSS DD8 on my board. I use the analog for slapback and the digital for multiple repeats. I also use the H9 for my more ambient delays like the middle of Whole Lotta Love.
 
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