Artie
Peaveyologist
I got my A4 from Lew, (thanks Lew), to try in my 59, and since I had the A5 out of the 59, decided to try it in my Distortion neck.
A4/59: I'll have to try this for a bit longer, but I'm not initially thrilled with it. Don't get me wrong, it sounds great, but it doesn't sound like a 59 any longer. I hope this isn't my bias showing through, but I like my "de-mud mod" better. The A4 mag changes the basic character of the 59, while my mod didn't. Its a good sound. The A4/59 is smoother and mellower, but its also missing something. The "bite" perhaps. I'm going to keep it in there for awhile to see what my long-term evaluation is, but I'll probably put the A5 back.
A5/DDn: This, on the other hand, I like a lot. The A5 had the same basic affect on the DDn as the A4 had on the 59, but here, it was just the right "tweak". It became just a tad smoother, and seems to be a bit clearer. But the best part is, it now matches beautifully with the Custom 5 in the bridge. The output of these two is almost perfectly matched and they compliment each other "tonal-wise" also. By just using a simple 3-way, the three ordinary sounds are great. The Custom 5 has a bit of "bite", the DD5 has a touch of "smooth", and they play together perfectly.
I'll try to post some clips later this weekend.
Artie
A4/59: I'll have to try this for a bit longer, but I'm not initially thrilled with it. Don't get me wrong, it sounds great, but it doesn't sound like a 59 any longer. I hope this isn't my bias showing through, but I like my "de-mud mod" better. The A4 mag changes the basic character of the 59, while my mod didn't. Its a good sound. The A4/59 is smoother and mellower, but its also missing something. The "bite" perhaps. I'm going to keep it in there for awhile to see what my long-term evaluation is, but I'll probably put the A5 back.
A5/DDn: This, on the other hand, I like a lot. The A5 had the same basic affect on the DDn as the A4 had on the 59, but here, it was just the right "tweak". It became just a tad smoother, and seems to be a bit clearer. But the best part is, it now matches beautifully with the Custom 5 in the bridge. The output of these two is almost perfectly matched and they compliment each other "tonal-wise" also. By just using a simple 3-way, the three ordinary sounds are great. The Custom 5 has a bit of "bite", the DD5 has a touch of "smooth", and they play together perfectly.
I'll try to post some clips later this weekend.
Artie