75lespaul said:What's the sound difference between the (bridge) 59 and the Pearly Gates? :smoker: :question: :saeek:
Thames said:The PG has that Texas-sizzle, that biting sharp edge. Check out the soundclips on seymourduncan.com
Lewguitar said:Have you tried both in the same guitar? If so, does one seem to have more treble or more extended highs to you? Or does the amount of treble of the PG and 59 seem about the same only with the PG having a little more edge or sizzle to it?
I've never tried both in the same guitar.
Lew
Benjy_26 said:The PG has a harder edge and to it, but not more highs. The lows are a bit tighter (to my ear) as well. It seems to me that with the PG you have more control over how you shape a not simply by how you pick and fret than with the 59.
I did feel the 59 was more forgiving of a guitar's tonal inadequacies, though (that is, it sounds good in more guitars than the Pearly does).
Lewguitar said:I pretty much agree. That ability to shape the note seems to be inherent in good alnico 2 pickups.
The 59 has a little more bass so the PG might sound tighter in the bass just because it has less bass.
When I listen to the sound samples, the 59 sounds slightly brighter to me...but just slightly. Probably because the 59 has less mids masking and competing with the highs.
Lew
75lespaul said:Hi guys--
I have a 59 for the bridge that I was going to put in my Gibson doubleneck in the bridge, but I like what I'm hearing about the PG's and Seth's. I just may get a Seth or PG and test them all in the guitar. I like the description of the Seth Lover the best though. I had the 59 in an Epiphone LP and it completely transformed the guitar from cardboard to tone machine. I've heard though that the 59 sounds very bright in thinner guitars like the SG, which is essentially what the doubleneck is. What a wiring MESS inside THAT guitar, let me tell ya! :smack: