KeeperOS
New member
Re: DiMarzio vs. Seymour Duncan
My experience sorta mirrors yours. My first guitar was an SSS Strat and being mostly into Metal I always wanted a bit more "oomph". Originally I went for what was more readily available by the largest Guitar-Center-like music chain here, which was DiMarzio with a Fast Track II in the bridge and a FT1 in the neck. A definite improvement over the mystery pickups in my Strat but I always thought they sounded kinda lifeless and, I guess pre-voiced would be the best way to describe them.
Then came the first SDUGF high-gain-oriented bridge pickup, the Crazy 8 and I decided to get one too, now my only regret is ONLY getting one.
After installing it in my Strat she came to life and I almost immediately took both DMZs out, gave them away and never looked back.
To this day, every single DMZ pickup I've heard/played sounded the same, by that I mean so aggressively voiced that it matters less (if not little) the guitar that it is in whereas a Duncan will still color the tone in a certain way but that will always be paired with its' own natural sound.
I can't really find fault in either approach since the DMZ way means more predictable results with greater leeway in wood tone/quality whereas Duncans seem best suited to coloring the voice of a great-sounding guitar.
Nevertheless, I still go for Duncan's approach.
My experience sorta mirrors yours. My first guitar was an SSS Strat and being mostly into Metal I always wanted a bit more "oomph". Originally I went for what was more readily available by the largest Guitar-Center-like music chain here, which was DiMarzio with a Fast Track II in the bridge and a FT1 in the neck. A definite improvement over the mystery pickups in my Strat but I always thought they sounded kinda lifeless and, I guess pre-voiced would be the best way to describe them.
Then came the first SDUGF high-gain-oriented bridge pickup, the Crazy 8 and I decided to get one too, now my only regret is ONLY getting one.
After installing it in my Strat she came to life and I almost immediately took both DMZs out, gave them away and never looked back.
To this day, every single DMZ pickup I've heard/played sounded the same, by that I mean so aggressively voiced that it matters less (if not little) the guitar that it is in whereas a Duncan will still color the tone in a certain way but that will always be paired with its' own natural sound.
I can't really find fault in either approach since the DMZ way means more predictable results with greater leeway in wood tone/quality whereas Duncans seem best suited to coloring the voice of a great-sounding guitar.
Nevertheless, I still go for Duncan's approach.