Do pedals have overdriven tube dynamics

Re: Do pedals have overdriven tube dynamics

a pedal does not sound *exactly* like an amp, a combo cab does not sound *exactly* like a 412 closed back cab, a fender does not sound like a gibson, etc etc

OP New Wave, I read all your posts. Really to get better pedal recommendations you should tell us what sound you are going for, cite bands, and tell us all your gear you plan to use. is it new wave??? haha :banana:
 
Re: Do pedals have overdriven tube dynamics

I personally would go with a Vox Night Train 50 over a Fender Twin Reverb RI because I love Vox cleans, and I think it does drive better. In this situation, you're comparing two great types of amps so only you could choose.

Now pedals. Really it is mostly trying as many pedals as you can and see what you like. Try the basic OD pedals first and then move on from there depending on what you need/want.
 
Re: Do pedals have overdriven tube dynamics

Always wanted to try those pedal in a box (wampler plexidrive) but from my limited experience OD pedals don't have that special thing from cranked tube amp just like coated strings vs uncoated more economical but have their downside as well

Well, nothing sounds quite exactly the same as a cranked amp, certainly including exactly the same amp 'not cranked'. Pedals will also give a much more realistic cranked tone with dynamics at low volume than a high wattage amp low down. They can also do well at high volume too.....checkout SRV with high volume clean blackface + TS 808 combo.

I mean, if you want cranked amp tone without the volume it just aint going to happen nohow. Even the best attenuators aren't fully transparent. You need to pick your poison and know you are getting the best you can given restrictions.
 
Re: Do pedals have overdriven tube dynamics

I sometimes use one of these through a clean Laney amp. Sounds very nice. Listen to how it sounds when he turns the gain down at 3:30.

 
Re: Do pedals have overdriven tube dynamics

@richard, thx man, much appreciated. It's too fizzy for me though but that reminds to try the HT boost.

And bump to my last question! Do the Deville 212 have that fat/full sound of a twin and enough headroom with vintage output humbuckers 9-10k in live situation? or the MDF wood it uses sucks all the goodness? Im thinking of swapping the stock seventy eighty with jensen c12k (1oo sensitivity)

And I also want to know if I can get what I need with the blues deluxe in a lighter and also cheaper package?
 
Re: Do pedals have overdriven tube dynamics

I had a 212 Deville. I found it seriously lacking in clarity. It's a decent lo-fi amp, but not spectacular by any means. I sold it the minute I first plugged into a Super Reverb.

FWIW, here's me playing through my Bassman LTD using the Lovepedal Les Lius for drive. I've got the pedal set on the lower gain "Tweed Twin" setting. Amp is clean and set at about 3.5. I'm playing the Tele in vid 1 and the JR in vid 2. You can hear how the pedal responds to the hotter output P90 in the JR. I've got no other effects running at all.

 
Re: Do pedals have overdriven tube dynamics

yes devilles have plenty headroom inb the amp itself - but also yes the cabinets are not the greatest.
Dont get jensens. The c12k is a very loud, efiicient and present speaker - not fun for long periods of time.
Go for something less efficient and darker like the texas heat - these give you a fatter tone at a more pleasant volume- or the ever delicious cannabis rex is awesome, but quite efficient so its perceptibly louder for the same volume on your amp. Both these speakers sound fat and awesome for clean fenders.
Blues Deluxe? Yeah - great amps (even tho they have the same not so groovy cabinets as the hot rod series).
They are only a 1x12, but of course you only ever mic one speaker at gigs, so the FOH sound will end up the same as if you use a 2x12.
The stock fender/eminence gold speakers you find in most hr and blues series amps suck the big one. If you are going second hand that is most likely what will be in there, but swapping it out will turn any of these amps into a really sweet thing indeed.

ill deliberately avoid talking about overdrive pedals specifically until you have your amp sorted out.
 
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Re: Do pedals have overdriven tube dynamics

@powdered toast nice keep the stones rolling, eh?? *pretending to be a canadian* I have no doubt about it lacking clarity I mean jensens is the way to go for fender amp and I guess yours have celes 70-80? 410s are great but for rhytm parts It lacks of the thump, yes? do you think a 40 watt 112 amp is enough for most gigs/bigger than most like in a festival (do people in festival mic up their amp?)?you should do vocal too man, just like keef.

@gibson175 : I like what I heard from the demo of c12k from jensen site and I want them to sound "not rolled down tone control" fat but fender twin fat sound (bb king). Yes blues deluxe uses MDF wood for the cab too but it has bigger space for the speaker and I believe it gives more thump? "not fun for long periods of time." explain. :) I'll take a listen to the speakers you mentioned
 
Re: Do pedals have overdriven tube dynamics

ive used jensen c12k and c12n in my amps - one was a hot rod. Trust me on this...there are much better speakers out there. You will need to turn down you tone to escape the hard bright high end inherent in the jensen speakers so youll end up with that "rolled down" tone that you want to avoid. Jensens were fine back in the era when it was okay to be playing at 100db just to be heard thru the mix. Times have changed. Nowadays its about sounding sweet at manageable volumes. ALso, the jensen reissues are a far cry from the jensens of yesteryear. If you really want that classic fender/jensen tone then you are better served by looking at weber 12f150s - they are a much truer recreation of the speakers that jensen became famous for.

"not fun for long periods" means the (current) jensens hurt your ears and your head because of the bright top end and loose bass end. At any volume they are hard as nails.

As far a "fender twin fat" goes: my main amp is a fender twin from 1967. It used to have weber californias in there - much nicer speakers than c12ks - which i took out because of the brightness. Go for a darker but still american voiced) speaker and you can crank up both the volume and the treble on your amp without any pain. Things just get more defined and fatter as you crank. NO pain - only gain! :)
 
Re: Do pedals have overdriven tube dynamics

@powdered toast nice keep the stones rolling, eh?? *pretending to be a canadian* I have no doubt about it lacking clarity I mean jensens is the way to go for fender amp and I guess yours have celes 70-80? 410s are great but for rhytm parts It lacks of the thump, yes? do you think a 40 watt 112 amp is enough for most gigs/bigger than most like in a festival (do people in festival mic up their amp?)?you should do vocal too man, just like keef.

@gibson175 : I like what I heard from the demo of c12k from jensen site and I want them to sound "not rolled down tone control" fat but fender twin fat sound (bb king). Yes blues deluxe uses MDF wood for the cab too but it has bigger space for the speaker and I believe it gives more thump? "not fun for long periods of time." explain. :) I'll take a listen to the speakers you mentioned

As gibson175 pointed out, it all depends which speakers you have in there. For those videos my Bassman is loaded with the stock Jensen P10R reissues. About a week after that gig, I replaced all 4 speakers with a pair of Weber 10A125's (Alnico with nice compression and brightness) and a pair of Weber 10F150's (Clear sparkle and tight bass). The Weber speakers are without a doubt head and shoulders above the reissue Jensens.

I have a 1x12 5E3 Tweed Deluxe clone and it originally came with a reissue Jensen C12N. Not the best speaker. I replaced it with a vintage 1960 Jensen P12Q and it sounds infinitely better.

I prefer the 410 over 212 as to my ears the 10's are tighter in the bass with more punch and focus to their tone.

As for the other part of your question about whether a 40 watt 112 would be sufficient to gig with - the answer is without a doubt, yes. The 5E3 Deluxe that I mentioned above is so loud at 12 watts that I have to use an attenuator on it at gigs and band practice. That's why I've given up trying to have an amp that I can overdrive naturally at gigs and went back to pedals for drive, because it's just so impossible to not blow everyone else away on the stage. I'd say that in today's festivals, having your stuff miked is true probably 99% of the time. In 1970, you probably had to bring an amp that could project. In 2013, PA systems are extremely powerful and pretty much a given at any kind of credible event.
 
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Re: Do pedals have overdriven tube dynamics

Alright-alright, But I use HBs guitars with vintage output pups so I'll still give it a try. Will a 40 watts amp with single 12" 100db speaker be loud enough?
 
Re: Do pedals have overdriven tube dynamics

Pedals can absolutely possess tube-like dynamic sensitivity.


I beg to differ, Compare jimmy's heartbreaker solo and the demo.. I think it's roasting tubes and lowest power speakers used (I mean 50watt amp using 60-70 watt speakers). nevertheless, love the sound of that pedal.
 
Re: Do pedals have overdriven tube dynamics

Jimmy didn't use the same rig from song to song let alone for a studio version of HB compared to a live version of SIBLY so I really don't understand the correlation you're trying to draw, but thanks for the props.
 
Re: Do pedals have overdriven tube dynamics

Alright-alright, But I use HBs guitars with vintage output pups so I'll still give it a try. Will a 40 watts amp with single 12" 100db speaker be loud enough?

I gig with a Hot Rod Deluxe 112, and it does just fine volume wise.
 
Re: Do pedals have overdriven tube dynamics

Alright-alright, But I use HBs guitars with vintage output pups so I'll still give it a try. Will a 40 watts amp with single 12" 100db speaker be loud enough?

lol yes!
i use humbuckers too! it will be louder than you need by a mile!

I should explain something about speakers:
if you have a 40watt amp putting out 40 watts of power then one speaker on its own is transferring that 40 watts of power into sound energy. As long as the speaker has enough headroom, then it will be pumping out just as much volume as two speakers of the same type.
Ok now imagine the same 40 watt amp pumping out the same 40 watts - but this time thru two speakers. You still have the same 40 watts of power, but this time the two speakers are getting half each. The perceived volume will be more or less the same - its just that two speakers are sharing the 40 watts so they are only getting half each.
40 watt amp into 4 speakers? same again.
Its not louder - it just means the speakers don't have to work as hard.

When you see a wattage rating on a speaker, it is not an indicator of volume. It is an indicator of how much wattage (i.e. energy) the speaker can safely dissipate without risking burning out the coil. Some speakers have very lightly constructed parts so they move freely without a lot of energy (wattage) needed. These speakers are usually low wattage. They tend to have a brighter sound.
With heavier construction, speakers are able to absorb more energy and dissipate the heat created from moving quickly. These speakers have a higher wattage rating, but generally tend to sound darker.
Efficiency is another matter again. That tells you how loud the speaker will be (in terms of decibels) per watt of energy.
Some speakers gain their efficiency by using big, powerful magnets. Some by using high quality parts that can move quickly and efficiently but not heat up. Some do it by having thinner or more flexible cones. All maufacturers have different standard for their db ratings, so they are useful comparisons between speakers of the same brand, but not between manufacturers.


Efficiency however is not always a desirable thing for us guitarists. We tend to like to run our toob amps at the point where the electrons in the tubes are running freely and the amp is cooking nicely to get a fat sound. With super efficient speakers, we often find that buy the time we get our amps operating at a level where we like the sound, the sheer volume (db's) coming out of the speakers is too much for the venue or for other members of the band to be comfortable. This effect is compounded with bright speakers because it takes more energy (wattage) to reproduce bass notes than treble notes due to the fact that the speaker cone needs to travel much much further. Also, our ears pick up treble very easily so a bright, efficient speaker seems louder than perhaps the decibel rating tells us. Sometimes it is better to have a speaker with less efficiency rather than more because it will let you turn the amp up an extra knotch that might be too loud with a more efficient speaker.

So what does all this mean? It means that a 12 or 15 watt amp can still be too loud depending on the efficiency and eq curve of the speaker. The thing is tho, thae even tho an amp might be ear splittingly loud, it might not have enough fat low end to satisfy - which is why many players still like to have higher wattage amps. Is 40 watts enough for fat bass? Undoubtedly yes - but it will be way too much power to hope for the "power tube breakup" that many people seem to crave. The best way to get the grit and sustain you want is either by preamp distortion (such as the dirty channel on a hot rod) or by keeping the amp clean and using pedals. Both approaches have their pros and cons.

Re wattage vs decibels: take a 50watt amp (lets say a marshall jcm) and then get the same amp with the 100w rating. Plug them both into the same speaker load and you will probably only measure a 3db increase. Why? because speakers are not perfect. They lose a lot of energy in the form of heat - also all that extra wattage might be used to reproduce bass frequencies, so while a 10watt amp might have a fatter low end, it wont necessarily seem much louder.

40 watts into a single 12? It will totally do the job and then some! Hot rods and blues deluxes are loud as hell - even with the hideous stock gold fender/emi speakers. All of the modern fenders are totally gig worthy, road proven and popular amps in the world for a reason. They do the job.
The trick for you is to find where the sweet spot is where you have a nice balance between headroom, volume, sag and presence. I've been thru the same process you are considering now and i've been gigging regularly since 1989. There has been a lot of amps and speakers and cabinets in that time. The more you play, the more you will get a feel for the kind of amp and speaker combination that lets you do what you do best. However, there is a lot of experience here from some of the forum bros. many of whom have used a lot more of this gear and done a lot more gigs than me, and if you read thru you will find pretty much everyone says the same thing : you can do a lot better than jensens without breaking the bank. See how you go with stock speakers for a while, and after getting a feel for whats in there, and working out what to do/don't like and perhaps what youd like to hear more/less of in a new speaker, the bros can help steer you in the right direction.
 
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Re: Do pedals have overdriven tube dynamics

Of course I won't directly change the stock speakers. So, a higher wattage amp might not be much louder (I also heard that volume and watt ratio is 2:10) but drive speakers easier? Does that mean that 22 watts DRRI will have more headroom than 40 watts blues deluxe thru a 50 watt speaker?
 
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Re: Do pedals have overdriven tube dynamics

no. 22 watt amps have less headroom than 40 watt amps. If the two amps are both driving the same speaker, the 40 watter will be noticeably louder and fatter - but if you had the 22 watter going thru an extremely efficient speaker and the 40 watter going thru a fairly dark and inefficient speaker then yes, it is possible that the 22 watter might seem louder. The reverse is also true, so if the 40 watter got the efficient speaker then it would seem substantially louder than the 22 watter with the inefficient speaker.
The wattage of the speaker is purely how much energy the speaker can safely handle without risking burning the coil out.
a 40 watt amp has almost twice the power of a 22 watt amp, but our perceptions vary depending on frequency too. Higher notes take less energy to amplify and therefore seem really loud to our human ears.
It takes less energy to amplify high frequencies because less energy is required to move the speaker cone. Bass frequencies need to move the speaker cone further and require more energy.
If you want your amp to have headroom to provide a fat low end you need wattage. The more wattage, the fatter the low end.

Speakers are different, they might be rated for high wattage, and thus can handle the power of the amp, but due to the design characteristics of a particular speaker, it might not project bass frequencies as well as another speaker regardless of its wattage rating. All speakers when they are built are "tuned" to work most efficiently in a certain eq spectrum.
Eg. celestions are generally geared towards a fat midrange whereas american voiced speakers tend to have a wider frequency response, more towards the low and high ends of the spectrum.
All speakers have a certain point where they have maximum decibel output at a particular frequency. Some speakers have a higher peak frequency than others. When analyzed with a decibel meter 1 meter from a speaker, a wave produced (a 1 watt or power) and plays all the way up the frequency spectrum. The point in the frequency spectrum where the db meter gets its highest reading is the peak efficiency of the speaker. It might be 101.2 db for one speaker or 97 for another. There might be two speakers that both have a peak of 101.2 db, but that peak might be in a slightly different part of the frequency spectrum. In the end, this stuff is just numbers. All speakers have their own voice and their own strengths and weknesses. No speaker can do all things for all players - and pure numbers alone cant tell you the story either. You need to play em to get a feel for em.
 
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Re: Do pedals have overdriven tube dynamics

The Catalinbread Dirty Little Secret and The Fulltone OCD actually sound more dynamic and tube like than a lot of actual tube amps.

I love the base tone of my Single Recto, but really do not like the higher gain and treble voicing.
So I've been using my OCD with it's volume and drive set to half, it's tone dial set high and then stacked on top of my Mesa's gain channel with it's treble and gain set low. This gives me GREAT tones with incredible dynamics. I use this setup most lately.
 
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