Not at all.
/Peter
If you have'em, why are you asking? Are you not able to tell any difference?I have both. How would you describe the differences ?
Yeah basically thisIf you have'em, why are you asking? Are you not able to tell any difference?
One is dynamic and vibrant, the other is dull and lifeless.
One gracefully take almost any magnet swap, the other, well... not so much.
One have a leading, commanding voice and excellently responds to picking nuances, the other... not so much.
One can be used in any music style, in part due to the excellent magnet swap capacity. The other can successfully employed in styles of music which required little dynamic, like big band chord accompaniment, solo guitar jazz and singer accompaniment, and with light OD, power chords.
Well? Your take?
/Peter
Appreciate the assesment and it sounds accurate to me concerning the 36ths. I do like different opines but the first two guys that responded seem to be talking in riddles eluding to which pup does what with a condescending overtone seeming to be bothered about answering a pickup query on a pickup forum.I disagree with everything that has been said so far. While the 59 may be more era-correct, it also inherits the weaknesses of older humbucker designs, especially in a Les Paul. The bass can be boomy, especially the neck version, the mids can be lacking, and the treble can get brittle on higher notes in many guitars. I like the 59 set in a Gibson SG because it balances the extremes of the 59, but in other guitars, those quirks become annoying. I always find myself wanting a little more out of the bridge though. I have tried swapping about every magnet type known into them, and I never found anything I liked better than the original A5.
The 36th set sounds best in a Les Paul or PRS type to me. They are slightly higher output than vintage sets, but that is not a bad thing in my opinion. They have plenty of mids, but also fairly tight bass, and screaming highs without being brittle. The neck is very warm, but not muddy. The bridge is bright, but not ice-pick bright and balances with the neck much better than a lot of sets like the Pearly Gates. They have a more 3-d quality to them than most Duncans, where I would say the closest set might be the Slash A2 Pros EQ-wise. They work well for cleans, and will also handle gobs of gain if you throw it at them. I have tried about every PAF set out there in my Les Pauls over the years, and the only two sets that have survived are the Dimarzio 36th, and the Duncan A2 Pro Slash set. I still have 59's, Seths, and Pearlies in other guitars, but in my Les pauls, I think the 36th set is right up there with the best.


I this week bought a Gibson Explorer that has the 59 n/b combo. I like the top end but the bass is flubby & the mids are scooped.
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This is common for 59s in certain guitars, and it's why people swap the magnets all the time. For $10 you can alter the EQ to fit what you need, and you'd be surprised how good it can sound. I had 59s and 36ths in the same les paul, neither of which sounded good stock. But with A2 and A4 magnets in the 59s they blew away the 36ths. Not even close.
I went ahead & swapped the pickups.
The DiMarzio's are way better suited for me.
The 59's A5 have that spongy fizzy thing going on like the JB that i dont like.
The 36th's bottom is tight as a frogs azz underwater.
If that wouldn't have worked an SH-5 was going in there.
I don't have enough personal experience with either one to compare in depth, but a few years ago I jammed on a LTD EC-401VF that had those 36th anniversary PAFs and I thought they sounded fantastic. I didn't end up buying the guitar, but the pickups got put on a list to check out because they didn't sound like the typical Dimarzios (vocal midrange, lots of compression). They were chimey and harmonically rich when overdriven. Everybody's ears are different, but the hate in this thread on them was really surprising to me.
This is common for 59s in certain guitars, and it's why people swap the magnets all the time. For $10 you can alter the EQ to fit what you need, and you'd be surprised how good it can sound. I had 59s and 36ths in the same les paul, neither of which sounded good stock. But with A2 and A4 magnets in the 59s they blew away the 36ths. Not even close.
A2 in the bridge and A4 in the neck?
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If you have'em, why are you asking? Are you not able to tell any difference?
One is dynamic and vibrant, the other is dull and lifeless.
One gracefully take almost any magnet swap, the other, well... not so much.
One have a leading, commanding voice and excellently responds to picking nuances, the other... not so much.
One can be used in any music style, in part due to the excellent magnet swap capacity. The other can successfully employed in styles of music which required little dynamic, like big band chord accompaniment, solo guitar jazz and singer accompaniment, and with light OD, power chords.
Well? Your take?
/Peter
And there are people, myself included, who like the Gibson 490R and 57 Classics for certain applications. The sets designed with Les Pauls in mindI'v been eyeing Dimarzio 36th anniversary for my Les Paul for quite a long time and I think you are the first one to come with such a review. Most of the reviews I seen are from good to fantastic in a Les Paul (36th anniv. were designed for a Les Paul in mind). Maybe you tried it in the wrong guitar (like it can be the case for a JB). OTOH my friend had a set of SD 59 installed in a Gibson SG and we were both far from impressed. And they are mixed reviews on this forum about the SD 59, which shouldn't be the case based on your opinion.
Looks like you are 180 degree opposite of everybody on the planet.