danut
New member
Hello folks, my first post here!
I currently have a MIK Ibanez RG 470L, HSH configuration, basswood body, maple neck and rosewood fingerboard. Some time ago, I swapped the stock Infinity humbucker with a TB-6 Distortion Trembucker and the difference was night and day. I already ordered the folowing pick-ups to replace the remaining stock pick-ups: SH-2N for the neck and SSL-4 Quarter Pound Flat RW/RP for the middle single-coil. What do you think, was this a right movement? I use a lot the middle single-coil combined with the neck humbucker splitted, for clean stuff, and I wanted a clean, clear tone with definition, not over the top output. How are the SH-2N and the SSL-4 working combined? Also, how is the SH-2N in both clean and high gain situations? My amp is a SansAmp TRI-A.C. preamp with a Tech 21 Power Engine 60 powered speaker cabinet. I also use a Keeley TS-9 (vol maxed, drive at zero) in front of the preamp, for a clean boost.
Thanks a lot for your input!
I currently have a MIK Ibanez RG 470L, HSH configuration, basswood body, maple neck and rosewood fingerboard. Some time ago, I swapped the stock Infinity humbucker with a TB-6 Distortion Trembucker and the difference was night and day. I already ordered the folowing pick-ups to replace the remaining stock pick-ups: SH-2N for the neck and SSL-4 Quarter Pound Flat RW/RP for the middle single-coil. What do you think, was this a right movement? I use a lot the middle single-coil combined with the neck humbucker splitted, for clean stuff, and I wanted a clean, clear tone with definition, not over the top output. How are the SH-2N and the SSL-4 working combined? Also, how is the SH-2N in both clean and high gain situations? My amp is a SansAmp TRI-A.C. preamp with a Tech 21 Power Engine 60 powered speaker cabinet. I also use a Keeley TS-9 (vol maxed, drive at zero) in front of the preamp, for a clean boost.
Thanks a lot for your input!
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