Re: Fender, Gibson, Epiphone, or PRS??? Which is the best value at $500-$1000?
What's the big deal?
I put a Wilkinson brass roller bridge on my Dot for $25.
So, what's the bid deal about Metric TOMs? Could you elaborate your distaste for their presence on Epiphone guitars?
I haven't tested the roller bridge you mentioned, but the only regular replacement available for trashy cheap TOMs, if they are metric, are the Gotohs. Although much better than the originals, I am dissatisfied with the metric Gotohs, the saddles are just too loose. Buying a Tonepros doesn't solve this either because it is just the $20 Gotoh with two holes and a $100 price tag.
If you have a US TOM, then you either have a non-metric Nashville or an ABR-1. I like the ABR-1 with it's posts that go into the wood instead of metal anchor's in the guitar's top.
But even if you have a Nashville, then you have lots of options. You can use conversion posts to mount the bridge part (not the posts part) of an ABR-1, which many say sounds better even with the Nashville anchors.
You can have replacement saddles (e.g. Brass or graphite) for the U.S. space Nashvilles, and ABR-1s. You can have U.S. spaced TOMs that are machined steel, or zinc or whatever you like. Even Callaham now has a TOM (an ABR-1 that you can put on U.S. Nashville anchors or replace a Gibson ABR-1 with but will never go on a metric hardware spaced guitar).
It's important to point out that high quality Japanese instruments have U.S. sized TOMs. The really cool stuff even has ABR-1s.
The PRS SEs have a fixed bridge that doesn't have any of these problems, or a trem (which might or might not have higher quality blocks available).
That leads me to recommend to either buy something like a SE, or else upgrade to high quality MIJ or a cheap Gibson.