i do yes. i dont have much experience with the stks6 but ive had a ssl6 forever and used them in many guitars along with ssl1. knowing the ssl1 and stks4 as well as i do, and having heard the stks6 just not in one of my guitars, there is a noticeable difference between the 6 and 7
like artie said, the top end of the stack isnt as open. i hear the overall voicing as a bit thicker but its the best noiseless strat pup ive found and i like them a lot.
Both my Fender Strats are MIM Standards which had ceramic single coils. They are good for pushing the amp for hard rock but do not the traditional Strat tone.I would not replace a Fender Pure Vintage pickup with a Duncan. They sound absolutely brilliant, all of them, IME.
I was finally able to tweak the ISP Decimator GString for some dynamics with the volume knob in the crunch channel to go scrunch rhythm to breaking up clean. Then channel switching for the lead sound. Not 100% perfect but good enough for me, love that Decimator. Two weeks from now we should have a rehearsal at the roof (good ventilation is a must against covid for rehearsals) and I will test this live at last.
Both my Fender Strats are MIM Standards which had ceramic single coils. They are good for pushing the amp for hard rock but do not the traditional Strat tone.
Both my Fender Strats are MIM Standards which had ceramic single coils. They are good for pushing the amp for hard rock but do not the traditional Strat tone.
I can't say I blame Fender for this. Not everyone wants that glassy, shimmery sound. The beefier ceramic ones are a bit of a compromise. Still technically stratty, but will also give a bit more girth. IMO, it's a bad compromise because it's not as ballsy as the non-traditionalists like, but it's not traditional enough, either.
If you like the STK-S4 in the neck, then IMHO you will like the STK-S7 in the bridge. I have this set (no middle) and really like it. The STK-S7 just has the meat needed in the bridge without going too strong like the STK-S6.Thanks Jeremy. My to-do list just got bigger.
If you like the STK-S4 in the neck, then IMHO you will like the STK-S7 in the bridge. I have this set (no middle) and really like it. The STK-S7 just has the meat needed in the bridge without going too strong like the STK-S6.
I can't say I blame Fender for this. Not everyone wants that glassy, shimmery sound. The beefier ceramic ones are a bit of a compromise. Still technically stratty, but will also give a bit more girth. IMO, it's a bad compromise because it's not as ballsy as the non-traditionalists like, but it's not traditional enough, either.