Re: First New Devils of Belgrade song in 5 years
I believe thats brilliant. Do you all read music, do you record bits and pieces at a time and splice them together,,or do you memorize all that by heart?
Thats some of the greatest modern music I think I've ever heard, very cerebral, but not just intricate for the sake of complexity- it doesn't ever lose sight of the ultimate truth, which is to jackhammer Asphalt ( I meant, Jackhammer Concrete).
Love it. Hope you guys soar to great heights with this one. I think this one earns you the right to open for a national act.
I'll have my ears perked for more of this, that's a given, plus that awesome title track is gonna get many more listens by me.
Thanks Jerry - that's very nice of you to say.
Scott knows theory, and I think Marshall (our bass player) knows a little, but Todd didn't know a lick of it and really neither do I.
I wrote this particular song and made a demo, which the other guys added their input to, and we learned as a band. There was no sheet music involved, and this is one that we played live quite a few times. To record, we did it the normal way - live drums, overdubbed the other instruments, etc.
Very pleasantly surprised!
My only gripe? The guitar shots around 00:44 are too loud for my liking. Distracting to the riff rather than supporting it IMO. Not bad for my only one eh? haha.
Tones sound great, and playing seems top notch. Can you give us more insight into the recording process? All instruments please.
Thank you!
We recorded the drums live in a huge abandoned theater in Fort Wayne, Indiana. We were the only people in there, and took up a mobile DAW rig (which ran, along with the lights, off of a single working outlet!), built a tent around the drumset in the middle of the main theater hall which we mounted microphones to. Todd played the drums for the entire album in 2 and a half days. One day I'll have to share the raw room mic tracks with you guys - the reverb was insane in there. Otherworldly.
We then recorded all the other stuff to the drum stems in parts, going a combination of direct and mic'd cab for the bass, and using a Kemper for the vast majority of guitar parts, going live amp for things where feedback / interaction were needed.
For this song, I think we used mostly the profiles made from my Splawn Pro Mod and and VHT Pittbull Classic (EL34). Scott also liked a Fryette Deliverance profile a lot and that might have been used here. Leads were a combo of the Splawn and a JCM 800. Cleans were a Fender Deluxe and AC30.
Guitars used: '08 LP Traditional, G&L Legacy, Gretsch Country Gentleman, '90s Ibanez 550, and I think Scott used his JEM for his leads.
We recorded and mixed the whole album in Reaper.