allbutromeo
New member
Re: Gaps in the product line?
I've kind of been toying with the idea of a 5-2 Stag Mag
I've kind of been toying with the idea of a 5-2 Stag Mag
Shop Floor Customs? It's using existing parts and specs, so no special work has to be done except a different assmebly.such easy mods (to do if you're in the factory), but it isn't being done. I mean, it's supersimple to make the StagJazz, but it isn't being done. Shame.
I notice nearly all your humbuckers are marketed to rock, blues, and metal players. How about guys who play some form of U2-inspired pop-rock, worship, shoegaze, ambient, post-rock, folk, etc.
We could seriously use a humbucker that sits in tonal ground normally occupied by teles. Edgy yet sweet clean and lightly overdriven sounds that take well to delay and reverb. Most humbuckers I've met work well for thick syrupy clean, rough harsh crunch and focused gain. How about some nice sparkly overdrive? I know I could just use a tele but sometimes I want the unique attack and cancellation that only comes from a full-size humbucker.
I played a '73 ES335 with stamped-cover T-tops that got really close. Clear, almost raspy without being harsh. Like the Edge's explorer and white LP. Current pickups that get close are the Duesenberg grande vintage and Grosh small blocks. The 490R gets close but it's too muddy and the high-frequency bite, while in the right frequency range, is over-pronounced to the point of harshness.
Maybe there's a pickup in your line that already covers this but the marketing would never lead me to it. You need a name that doesn't immediately conjure an image of tight leather pants saturated with jack daniels infused ball sweat.
You want a Screamin' Demon. (I want them to change the name of that pickup to reflect that it's neither a demon nor screams.)
I notice nearly all your humbuckers are marketed to rock, blues, and metal players. How about guys who play some form of U2-inspired pop-rock, worship, shoegaze, ambient, post-rock, folk, etc.
We could seriously use a humbucker that sits in tonal ground normally occupied by teles. Edgy yet sweet clean and lightly overdriven sounds that take well to delay and reverb. Most humbuckers I've met work well for thick syrupy clean, rough harsh crunch and focused gain. How about some nice sparkly overdrive? I know I could just use a tele but sometimes I want the unique attack and cancellation that only comes from a full-size humbucker.
I played a '73 ES335 with stamped-cover T-tops that got really close. Clear, almost raspy without being harsh. Like the Edge's explorer and white LP. Current pickups that get close are the Duesenberg grande vintage and Grosh small blocks. The 490R gets close but it's too muddy and the high-frequency bite, while in the right frequency range, is over-pronounced to the point of harshness.
Maybe there's a pickup in your line that already covers this but the marketing would never lead me to it. You need a name that doesn't immediately conjure an image of tight leather pants saturated with jack daniels infused ball sweat.
A standard route Filter'tron or DArmond voiced pickup would fit the bill.
The big question is do you own a SD Jazz? I have one in my Iceman and it is very full, round and clear with very pronounced mids. THe pickup is perfect for Jazz.
How about pickups that mix different mags? Like the Five Two?
feasible with rod mags like a strat pickup
not so feasible in like a paf with a single bar mag underneath
Bareknuckle Juggernauts use a ceramic mag flanked by two Alnico mags. I was thinking stuff like that as well, just didn't mention it.
I still like the idea of mixing mags, though. It worked well for Bareknuckle.
Mixing mags can yield great results with some experimenting!
I have a bridge pickup with mixed A5 rods (3+3 staggered) and an A8 bar underneath, with larger than normal baseplate screws that extend to the top of the bobbin, therefore extending the A8 magnetic field other than through the already charged A5 rods. It sounds great to me. There's a clip of it posted in a thread where I posted clips of a few pickups I'd built.