Hot _Grits
Buttery Toneologist
My band has just spent the last two weekends recording. Took some time to finally get some decent pics of gear, plus some studio stuff and some nice loaner pieces...
l-r: My PRS Cu22, 57ri strat and 72 tele custom ri, my friend Sam's mid 70s Les Paul Signature semihollow, and a Gretsch Duo Jet and 70s Les Paul Deluxe, both property of studio.
more of the same...
My vibrolux/beerholder.
Blue Angel head, Sam's 60's Ampeg reverberocket and Vibrolux. The majority of the tracks were done with the vibro and blue angel on el84 setting in stereo. The vibro provides the midrange push, and the blue angel tightens up the bottom and gives some sparkle.
My CU22. Note reversed duncan '59 in neck position. Used for afrobeat rhythm parts.
My strat. Aps2s and an antiquity texas hot bridge. Used through Sam's original mutron 3 for super P-funk fart noises.
My Keef/Leo Nocentelli 72 custom ri. Used for snarky overdubs.
Sam's LP signature. This got a lot of playtime, was used for all the funk rhythm traks to get an authentic late 60s type of tone. Can't help but think Freddie King when I play this guitar.
Very nice sounding 70s super reverb and rhodes piano. The miso soup of sound.
My good friend and personal ToneYoda Sam and myself. Sam's the one with faces-era Rod Stewart hair.
Man, I wish every day was studio day.
l-r: My PRS Cu22, 57ri strat and 72 tele custom ri, my friend Sam's mid 70s Les Paul Signature semihollow, and a Gretsch Duo Jet and 70s Les Paul Deluxe, both property of studio.
more of the same...
My vibrolux/beerholder.
Blue Angel head, Sam's 60's Ampeg reverberocket and Vibrolux. The majority of the tracks were done with the vibro and blue angel on el84 setting in stereo. The vibro provides the midrange push, and the blue angel tightens up the bottom and gives some sparkle.
My CU22. Note reversed duncan '59 in neck position. Used for afrobeat rhythm parts.
My strat. Aps2s and an antiquity texas hot bridge. Used through Sam's original mutron 3 for super P-funk fart noises.
My Keef/Leo Nocentelli 72 custom ri. Used for snarky overdubs.
Sam's LP signature. This got a lot of playtime, was used for all the funk rhythm traks to get an authentic late 60s type of tone. Can't help but think Freddie King when I play this guitar.
Very nice sounding 70s super reverb and rhodes piano. The miso soup of sound.
My good friend and personal ToneYoda Sam and myself. Sam's the one with faces-era Rod Stewart hair.
Man, I wish every day was studio day.
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