The chorus effect just doesn't work for me. It sounds great when I hear it recorded, but really distracts me when I hear it and I'm playing no matter what I do. Oddly enough, phasing doesn't.
Wah pedals for me.
They sound SOOOOO AWESOME and are really expressive. Ever since I was a kid listening to Hendrix and Metallica and Alice in Chains or SRV or whoever, I always envied the sounds they could make. I thought it was something they were doing with their hands and I couldn't get my sister's Danelectro to make that sound no matter how hard I tried.
Then I found out what it was and immediately went to get one only to figure out that I suck at using it and it actually takes practice to use effectively. That and it kind of sucks that you have to go over to the pedal and keep your foot on it to use the effect, meaning you can't really run around on stage or do a bunch of weird poses or anything since you gotta have balance while using it.
Sure Auto wahs can rememdy that but then they never "wah" the way I need them to so I prefer the control of the traditional wahs. That and most wahs I've played don't have any kind of sweep or tone control so you're usually stuck with whatever voice it has unless you buy a model that is priced higher because of the extra features. Switching them on and off is also a B most of the time. Nothing sucks more than trying to click a wah off but you didn't press hard enough so it just sounds all harsh and nasal until you try it again. That and they are typically more fragile than other pedals I've used. I've had like 3 wah pedals and 2 broke almost immediately after getting them, and I was careful too.
The bass wah Dunlop makes has been great for me so far. Sweep and tone controls, hasn't broken, sounds awesome on bass AND guitar, and it has an auto return function so it shuts off when you take your foot off like the Morleys, so it's foolproof. You can't set it to a "sweet spot" and leave it like other people sometimes do with their wahs, but I rarely did that anyway. That new Morley Cliff Burton tribute wah looks awesome too, even has a built in fuzz you can switch on and off.
For the on/off problem I've found that taking the rubber bumpers off the front of the rocker helps since you won't have to push it as hard, it also gives slightly longer sweep, but then you have to be careful not to accidently switch it off when using it. I also prefer a wah that has an on/off LED. I'd probably switch to a morely bad horsey but I don't like how much room they takeup
I don't think I've ever seen him play his strat. I think he sticks to his LPs, Firebirds and 335s most of the time recently.
I've got to add Marshalls to the list, too. I've never really gelled with them.
Reverb. Fuzz.
he doesnt play it very often. used to use it on blue sky and a few others but its got the active boost circuitry which helps with the fattness. the slo doesnt hurt either. just saw the mule last night and it was all gibson (except for scofield who played his ibz 335 thing)
Add me to the Strat list. I keep a Squier Strat around just to remind myself not to spand good money on one. It sounds like a Strat should and that's good enough to eliminate any GAS.
I was the same way about volume knobs for about 30 years. Only now am I dialing it back. The secret is that you've probably been adjusting your setup for just the right amount of volume and gain. If you set it for a little TOO MUCH volume and gain, so you have to dial it back a bit to get the clarity you're used to, then it'll sound a little sweeter, you won't feel that sense of disengagement when you dial it back further, and you'll have an extra gear to kick it up to.Word for word agreement on the chorus thing. Most of my favorite recorded lead tones are drowned in chorus but it just sounds unfocused and cheesy while I'm practicing.
I'll add... Volume knobs. I appreciate the tone some guys get rolling it down but I hate how a guitar feels when the pickups aren't cranked.