Gibsons... ho ho ho!

octavedoctor

New member
I'm seeing a lot of this on Gibsons lately. There's always been the odd one but now it seems to be on all of them.

The bridge seems to be about a quarter inch too far forward so you have to crank the saddles all the way back to get the intonation tempered. Sometimes you can't get it right on the third string even if you reverse the saddle (which is not a good idea anyway despite the fact that it's common practice).

It seems to me to be a simple equation: you place the front of the saddles double the distance from the nut to the 12th fret.

i thought, at first, that they were probably doing something stupid like measuring the scale from the nut to the mounting posts; that'd do it, but I think their error is of a more subtle order than that.

I remembered that American manufacturers have clung, unwisely, to imperial measurements, rejecting the SI system.

Check out the following series of photos

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dscn0072gj6.jpg


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It's apparent from these that the bridge is perfectly placed for a 24.5" scale. However when you look at the position of the 12th fret it's obvious that it is not 12.25" from the nut.

My theory?

I think they've got themselves a new CNC machine...

I think that it works on metric parameters and they've programmmed it using a conversion factor of 25.5mm = 1.00" instead of the correct 25.4mm = 1.00".

If you look at the photo of the 12th fret against the metric side of the rule you can see that the 12th fret lies approx 312mm from the nut. It's actually a very tiny bit more than that but you can't see it because of the parallax shift in the photo.

This would equate to a scale of 624mm plus a tiny bit.

A 24.5" scale converted to metric using the wrong conversion factor of 25.5mm to the inch works out at 624.75mm which is almost exactly what we are seeing.

Another possibility is that they are contracting out the manufacture of their boards and the subcontractor is working on metric dimensions while the assemblers at the factory are still placing the bridge 24.5" from the nut.

Either way it's a pretty shocking indictment of Gibsons competence as a guitar manufacturer. I've had no respect for them for years but I'm now convinced that the best destination for a Gibson is the trash compactor...
 
Re: Gibsons... ho ho ho!

Either way it's a pretty shocking indictment of Gibsons competence as a guitar manufacturer. I've had no respect for them for years but I'm now convinced that the best destination for a Gibson is the trash compactor...

Sad but True!the 'ol Gibson Dynasty is gone.What a shame!
 
Re: Gibsons... ho ho ho!

Well said doc. I have noticed this on other high end guitars also, not just Gibbos. What do you consider wrong with reversing the saddles if you make sure there are no burrs etc, and very finely roll over the extreme edges of the top of the saddle with fine emery to aid break angle towards the bridge!
 
Re: Gibsons... ho ho ho!

I just got rid of my Les Paul jr, and I had the high e side of it's wraparound bridge cranked back as far as it could go. I saw another from the same shipment and the retailer had redrilled the bridge placement. these are '01 era instruments.

I've also seen an LP std where where one saddle on the tune-o-matic was slotted 1mm from the edge of the saddle, sending the B string off at a weird spacing.

Poorly aligned tuners are fairly common as well.

Then there's the poorly cut nuts, bad fret jobs...

Only a Gibson is good enough, folks.
 
Re: Gibsons... ho ho ho!

Fidelity:- if you look at the first photo the bridge is more placed for 24.5 with the saddle fully back and not quite reaching 24.75 so the middle of the tuno could do with being a tad to the right.
 
Re: Gibsons... ho ho ho!

cant see anything wrong from the pics.
from the nut to the 12th fret is approx. 312mm
from the nut to the center of the bridge is approx 624mm

i don't think the bridge is perfectly placed for 24.5" scale. based on the pics, the center of the bridge is a little bit more than 24.5"

but, i did owned a gibson that can't be intonated because of a bridge that is way off(not a fraction of a mm).

i don't have a problem with my other gibsons.
 
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Re: Gibsons... ho ho ho!

I'm not exactly sure what you're saying here. Gibson's are 24.75" scale not 24.5 and judging from your pick the saddle is 627mm which is 24.68", pretty close to the 24.75" scale that is being used.

I have noticed that the ABR-1 style bridges, for whatever reason need the saddle cranked further to the back than the Nashville style. Unfortunately I don't have any really good pics of the ABR-1 bridges that I own, here's one that you can see the saddle farther back but the guitar is still properly intonated.



Now here are two Nashville bridges, perfectly intonated again. Look at the placement of the saddles on these.

 
Re: Gibsons... ho ho ho!

Quick question… when you measure the scale length on a TOM bridge, where do you measure to? The bridge is nearly ½” wide and it’s also not parallel to the nut, so where should the measurement be taken? At the intersection of the major axes of the bridge?

Not being argumentative, just curious.
 
Re: Gibsons... ho ho ho!

Dont worry doc, you aint goin nuts - i still agree with you.

Innocent - 24.68 is with the saddle at the furthest adjustment possible when ideally it should be at 24.75 in the middle of the range.

Most of the time, these will still intonate but it does get harder for people using larger strings and especially when a medium to higher action is used because the further a string needs to be pushed down to board in the upper registers, the further back the saddle needs to be to compensate.
 
Re: Gibsons... ho ho ho!

Scale length is always twice the length of nut to 12.
The tuno placement is wherever best allows for correct intonation for the strings and action of that particular guitar, not as a guide for measuring scale length.
 
Re: Gibsons... ho ho ho!

Well, one would assume that as long as the distance from nut to 12 is consistent that two times the distance from the nut to the 12th fret would also be consistent.

Additionally, because the bridge is not parallel to the nut, measuring either E string would give different measurements. The high E post is 3.18 mm closer to the nut than the post at the low E side of the bridge. So, which side gets measured? High E? Low E? Middle?
 
Re: Gibsons... ho ho ho!

That's exactly my point - you don't measure up to the tuno cause it can be placed slanted , parallel, saddle adjusted etc!!!!!!
Scale length is measured at twice the value of nut to 12!!!
Doc just wants the middle of the road placement to be at twice this nut to 12 measurement.
 
Re: Gibsons... ho ho ho!

That's exactly my point - you don't measure up to the tuno cause it can be placed slanted , parallel, saddle adjusted etc!!!!!!
Scale length is measured at twice the value of nut to 12!!!
Doc just wants the middle of the road placement to be at twice this nut to 12 measurement.
If that's the case than I'd say the measurements are just about dead on. The 12th fret is at 312mm and my judgement says dead center of where the saddle could sit, not where it's sitting, is 624mm.

As far as where the saddle actually sits, that's going to change from guitar to guitar because of intonation. I say just play the damn thing and don't worry about 2mm over the length of nearly 25 inches. :bigok:
 
Re: Gibsons... ho ho ho!

Looking at the 3rd picture, it looks like the 12th fret is exactly 12.25. I'm having a hard time figuring out what the problem is... :banghead:
 
Re: Gibsons... ho ho ho!

Doc, ya can chime in anytime - this aint my thread!

Innocent and Schec -Totally see your points - but that makes this a 24.5 scale guitar which doc claims is a 24.75 ?????

When i looked at the photos i didn't really check the 12th fret measurements, I just concurred with doc that the tuno was badly placed for a 24.75 scale, and so could be difficult to intonate with certain setups.

We need doc back:banghead:
 
Re: Gibsons... ho ho ho!

Doc, ya can chime in anytime - this aint my thread!

Innocent and Schec -Totally see your points - but that makes this a 24.5 scale guitar which doc claims is a 24.75 ?????

When i looked at the photos i didn't really check the 12th fret measurements, I just concurred with doc that the tuno was badly placed for a 24.75 scale, and so could be difficult to intonate with certain setups.

We need doc back:banghead:
I don't think one string makes the guitar 24.5 scale instead of 24.75. You'd have to know where Gibson measures that from to make that assumption. My best guess which is said above by MikeS would be at the center axis of the bridge. This only seems to make sense in theory since the bridge is off center.

As to why Gibson chooses to make if off center when it doesn't really need to be, I have no idea. This whole discussion while I thought interesting at first seems to be getting a little silly, like we're splitting hairs to get an answer.

All of my Gibson's as well as those that friends own have intonated perfectly with a variety of string gauges, I personally run three different gauges on my Gibson's. Were some the them close, yes, but they still intonated which in my opinion tells me there isn't a problem.
 
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