Re: Guitar plugged straight into amp
When I gig, I have my pedal board, and these days I have a checklist I print out so that the right gear gets into the van. I just high-lite what I need and check it off.
I started doing this because about 20 years ago; I had a couple of gigs with my other band where I'd walked off and forgot the board--luckily I had a spare OD in one of the bags, so I could get a decent lead tone with the Fender and Marshall amps I had.
One time I forgot the board when I went to a jam--and no spare OD, either. Super embarrassing; I almost left before getting up to play. But it was a slow night early on, and the leader wanted to get me up on stage right away. So there I am with a Marshall JCM 800 4010 112 50-watt MV combo, and my 1975 Les Paul '55 Special Reissue with P-90s. I had a rocky relationship with that amp, and was just taking the Paul out because I hadn't used it for a while, having become a confirmed Strat player. Pretty much everybody is looking at me strangely, because seeing a Marshall combo at a jam is a rarity--probably 99% of the players I knew back then used either Fender or Peavey amps. So, GAIN on about 7-8 and the MV up to 4--and tonight I'm going to be using the guitar's volume knobs--a lot! Keep in mind, this is a totally foreign style of playing and getting my tone.
And I think that just turned into one of the best jams I'd ever done up to that point. That P-90 Paul and the Marshall just seemed perfectly mated. I didn't have the super clean tones that I would normally want to use with my band's material, but with the jam--I didn't need them. And when I soloed, that Marshall just SANG! What's interesting is how quickly the night turned from what was going to be a certain disaster in my mind, to my being totally confident in my playing and tone.
The Marshall was a great rock amp, and I loved the lead tones, but it just wasn't working with the majority of the music I was playing with my band. A few months after this jam I found my Mesa amp and the tones I wanted--and never looked back. I don't need any dirt boxes with these amps. But that combination of the P-90s and that little Marshall was pretty cool.
And so these days with the Mesa amps, I rarely feel the need to take my big Furman board to a jam with me. I can take any of my Mesa 112 combos, and play with confidence--DC-3, Mark III, Mark IV; or even the Maverick 212. Depending on the jam, I might want to use a chorus or a wah in front of the amp, or a delay pedal in the loop, but most of the time I just go straight into the amp. Not having the pedal board is a bit uncomfortable for me, walking the tightrope without a net so to speak. But I think it's good for me to go and concentrate on my playing, rather than worrying about which pedal to step on.
So, while I have gone straight into the amp, I really like having those little boxes at my feet--adding a touch of chorus, wah, phasing and delay where appropriate.
Bill