treyhaislip
Well-known member
I'm looking for a new guitar processor and am really interested in the Boss GTs. Does anyone have any experience with these? Any recommendations?
Thanks!
Thanks!
What I liked about the GT3 compared to the PodXT I had was that with the GT3 I could create some rwally crazy yet fun sounds.
i cannot comment on the latest BOSS GT offerings (GT-10 and GT-100), but i ve used Gt-8 and use to-date GT-6 extensively. i have my share of love and hate with them, but after getting to know that two of my influential acts (opeth, neal schon) used them live (for convenience), i knew there was lot of tweaking that could be done to get what i want. Really in the realm of multi-fx there are those with few parameters that either give u the sound or not and then there are those that have countless parameters to get what u want. The BOSS Gt series including GT-6 belongs to the latter group. with so many parameter tweaks, it is so easy to mess up things and endup frustrated with tones that are far from usable. so if u have lots of time for tweaking BOSS GTs are for u, they do require considerable experience in getting to know what work with what (specially which overdrives/distortions go well with which pre-amp sims). the constant whining in forums about the cocked wah sounds, are mostly results of improper matching. I do employ software for tweaking, or i get lazy and end up with nothing. effects wise all of them have very usable quality effects. i dont fancy goin straight into FOH with them, because the speaker emulation featured are an absolute mess. in the few patches where i got it right, i always employed a quality DI box between the GT and FOH board to get get acceptable sounds. I have always fancied running it into a clean amp channel or even better direct into the effects return to skip the pre-amp for less coloring of the tones.
I agree with all the clean amp sims being of quality. getting mildly overdriven sound is tricky with very limited options, though i ve found a few that works to my taste. same goes for genuine crunch sounds. and it is no outstanding substitute for the real thing. but i have created enough patches to stay afloat, and i use those over driven and crunch sounds regularly.
for alternate recommendations, if u can get ur hands on an old digitech GNX4, there are these alternative amp sims created for it called MFX SuperModels. I have a friend who gets awesome studio sounds good for recording with it. We have not yet checked out how good it is live though.
I don't know if it's the ONLY way, but that's exactly what I do live:With the GT's the only way the inbuilt preamps sound good are when you run them through a guitar speaker, better yet a tube poweramp & guitar cab.
With the GT's the only way the inbuilt preamps sound good are when you run them through a guitar speaker, better yet a tube poweramp & guitar cab.
Dude, is it a Laney LC50? That's what I've done with the gt10 before as well, works well. One thing you can try is using the natural/advanced preamp with the gain level high up & using the volume knob on the guitar for cleaning it up or an assign trick. It's sounds good.I don't know if it's the ONLY way, but that's exactly what I do live:
GT-100 -> power amp of a Laney 50 watter (2 x 6L6) -> 4 x 12"
one more thing to note. on GTs under global settings (usually) u will get to select "Output Setting" or "Output Select", which is meant to globally affect the sonic spectrum of patches depending on the kind of amplification u use (with possible available options being; JC-120, small amp, combo, stack, combo return, stack return, PA). some of them push different areas in the spectrum too much. anyways dont tie urself with the labels here, try them all and use the output type that sounds best to u. on my boss gt-6, i find that 'jc-120' setting gives me the most naturals sounding headroom, when i m going direct into a clean amp input at front, but tend to use the 'small amp' setting for heavy sets, which gives me sort of a more mid-push.