High End Cable versus Standard and Bargain Quality Guitar Cables Essentials.

NegativeEase

New member
My post is buried on page 3 of the expensive cable thread... so no one will ever see it, so here it is (grammatically corrected too)
-as I think it's important basic info with regards to cable quality.

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1) Low capacitance high end cables don't necessarily mean better. Just brighter and closer to if you measured the frequencies of your tone at the output jack. The guitar cable is PART of your sound and most amps are tuned specifically to compensate for a portion of this roll off -and many have a specific bright compensation switch. From an information standpoint -higher end cables would give you more information to work with at your processing stage. That is the advantage -the question for you as a guitarist is do you need or use that information that you can gain?

2) High frequency roll off in vintage cables is a hall mark of all the vintage tones you guys usually dream of -especially single coil players like Hendrix, Clapton, Beck, and Gilmour and all the Telecaster rippers of old etc. So don't think expensive is necessarily "better" -it's different. Bear in mind a high cables additional information can be rolled off later -so it's not like a classic tone can't be approximated or achieved with modern cables also.

3) If you play active pickups the difference between a basic quality cable and an expensive one doesn't really matter -the signal strength and signal/noise ratio of the output buffer amp of an active set exceeds the roll off effect at guitar frequencies at the lengths a guitarist would use. Just buy good quality to avoid the downsides of cheap cables (lack of ruggedness, static crackling/slippage, stage grade insulator, solder breaks/termination quality etc)

4) The energy of your signal traveling in the cable is NOT the actual electrons push/pulling back and forth inside your cable from pickup to amp/pedal input -instead the energy of your signal is in the magnetic field emanating from the center conductor traveling through the dielectric polyfoam between the center conductor and the outer shield/braid conductor of your guitar cable This is why instrument cables are coaxial and not twisted pair -because the are designed to carry a very weak passive signal from a transducer and mitigate environmental noise. and don't need to dissipate heat like a speaker cable. -

Meaning every time you step on your guitar cable you slightly malform the dielectric shape in the cable changing the geometry between the conductor and braid and create a reflectance point in the cable which is a wave that has now turned 180 degrees moving back toward the transducer (pickup) you have also changed the capacitance and resistance of the cable, and the capacitive and inductive reactance of the circuit -basically every electrical property in an AC circuit has now been altered slightly

.... So before you beat yourself up about having a cable that is 100pf higher per meter than a really expensive cable.... Stop stepping on your cable a lot will have a bigger impact over the life of the cable than the difference of a good quality cable versus a high end one.

5) Lastly, -at minimum -just buy a quality brand guitar cable and keep the length between guitar and first buffer as short as you can stand the brightness for what you need and pick a cable that uses Switchcraft, Neutrik, or Amphenol connections and you can be sure compromises haven't been made elsewhere in the cable itself.


If you need brighter -sure buy a badass capacitance of like 50pf but don't unless you have figured out really if you need it -there's nothing wrong with high end cables if you need them for your sound (bright as hell or snappy maybe?) -unless you roll it all off right at the pedal or amp -in which case what's the point?

Now get back to playing more and spending less on prestige goods if you don't need it.

-if your guitar doesn't have several dings -then you have more fun to be found playing.
 
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NegativeEase said:
Just buy good quality to avoid the downsides of cheap cables (lack of ruggedness, static crackling/slippage, stage grade insulator, solder breaks/termination quality etc)
I think this is important. Also, learn how to resolder a
connector, that may be all it needs. Finally, don’t step on it! :D Thats the worst when you have a cable with a broken conductor somewhere down the line....
 
If you need clarity with your cables, George L's are the way to go.

Yeah -I've always heard great things and used them a few times -and there are several other makes who make an even higher rated cable if people need even more top end and clarity

I think high end cables are great if the guitarist needs that tone to work with -
 
If you need clarity with your cables, George L's are the way to go.

Hey LLL, your probably the best guy on this forum to ask, when you use a high end cable with more highs do you have any issues rolling that off to achieve one of your vintage tone matching demonstrations?

YOu don't see to have any issues that I can tell. -meaning that the conclusion could be drawn that having a high end cable doesn't prevent you from achieving the vintage tones if you tone shape downstream of the cable.
 
Honesty, I never used cables that I thought cut the high end too much. Most cables over $20 have a natural tone that works for me.
 
Honesty, I never used cables that I thought cut the high end too much. Most cables over $20 have a natural tone that works for me.

That's me too -most times -I'm rolling off anything over 6k anyways -so anything other than a reliable rugged brand isn't going to help me.

but I totally get the idea of receiving all of the waveform the pickup can produce so you have the most options to work with at the pedals and amps IF you want the bright top, or sizzle and hiss parts of guitar audio.

Nothing wrong with that approach -but I'm guessing most don't -so there's not a need to buy <100pf low capacitance cables in that case.
 
That's me too -most times -I'm rolling off anything over 6k anyways -so anything other than a reliable rugged brand isn't going to help me.

but I totally get the idea of receiving all of the waveform the pickup can produce so you have the most options to work with at the pedals and amps IF you want the bright top, or sizzle and hiss parts of guitar audio.

Nothing wrong with that approach -but I'm guessing most don't -so there's not a need to buy <100pf low capacitance cables in that case.

Absolutely, there is nothing wrong with that approach at all, but a lot of money is made convincing people that it is important. I just could never hear it.
 
That's me too -most times -I'm rolling off anything over 6k anyways -so anything other than a reliable rugged brand isn't going to help me.

but I totally get the idea of receiving all of the waveform the pickup can produce so you have the most options to work with at the pedals and amps IF you want the bright top, or sizzle and hiss parts of guitar audio.

Nothing wrong with that approach -but I'm guessing most don't -so there's not a need to buy <100pf low capacitance cables in that case.


My guitar cable runs immediately into a big box EHX small stone . . . it's OK when off, but when it's kicked on it chews away a large quantity of the high end as soon as it's kicked on. I need all the upper frequencies I can keep so that some can make it past the dark box. I'd ditch the SS, but it gets a lot of use . . . and especially since I re-wired it to add a switch to do univibe-style phasing there just aren't other pedals I've found that get the same sound.

That said, any good quality low cap cable seems to work fine for my needs. Nuances of different cable 'sounds' is beyond me, just as long as it's not a crap sounding cheaper cable.
 
Hey LLL, your probably the best guy on this forum to ask, when you use a high end cable with more highs do you have any issues rolling that off to achieve one of your vintage tone matching demonstrations?

YOu don't see to have any issues that I can tell. -meaning that the conclusion could be drawn that having a high end cable doesn't prevent you from achieving the vintage tones if you tone shape downstream of the cable.

I don't use high end cables.

I have George L's for between stomps, but my main cable (guitar > out) is a decent music-store brand.

Any long lengths back and forth (pedalboard or what have you) is the same: decent music-store brand.

That being said, EQing in the studio/DAW can remedy many things.
 
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