UberMetalDood
New member
After a week with my new JSX I can tell you it's probably one of the best amps on the market, and I'm not saying that without considering Bogner, Komet, etc... The amps I have to compare it to directly are a Mesa Mark V, Engl Powerball II, and Bogner Shiva with EL34's.
The cleans are comparable to the Shiva and I think the Shiva probably has the best cleans I have heard in a British voiced amp. The crunch channel has a kind of the Marshall thing going on. It reminds me a lot of some of the sounds I've heard in Michael Schenker solo albums. The ultra channel I can't really compare except it reminds me of a 5150 but with EL34's. I never played a XXX but that's apparently what it's based on.
They say the clean channel was designed to take pedals, and even to the most critical it couldn't be far from the truth. What I find amazing is how the clean channel stays so clean with the volume cranked, yet even with a very mild OD like a TS9 it seems to somehow get a little gainier than it normally does. Usually an amp would have to be set for a grittier clean before a tube screamer would push it to rock tone but the JSX stays ultra clean and rocks with a tube screamer.
I only have 2 minor complaints. First off there is no reverb. I would love to have reverb on this amp. Fortunately it has a great effects loop. Unfortunately I've tried several reverb pedals like the Holy Grail nano, Boss RV7, Hardwire reverb, and none of them were satisfactory.
Secondly since a reverb tank would add weight to the head it's a great thing they didn't add it. The head is very heavy, even compared to my Engl Powerball II which is a little bigger. At least it's built very sturdy.
The demo model I played over and over again before buying one was sitting in Guitar Center for 2 years and was even dropped at one point. It worked perfectly. When I was deciding between a Fender Supersonic, Fender Blues Deluxe Reissue, and the JSX, I came across 2 faulty Blues Deluxe RI's, and 2 faulty Supersonics. One BD RI had a bad vol pot and the other cut on and off. One Supersonic had a faulty reverb and the other one had a bad channel switch.
I was becoming very skeptical of Fender quality so I decided on the JSX. Otherwise I would have gotten a Blues Deluxe Reissue instead. I'm glad I chose the JSX because now I have an extremely versatile amp which is also easy to retube and bias because of the external bias pots.
The 5150 was a great amp but I have to say this is the best amp Peavey has ever made. It really surprises me that the JSX hasn't become a great sensation. Maybe it could be because it's associated with Joe Satriani or because it's often regarded as a high gain or metal amp. It does have a lot of distortion on the ultra channel but clean and crunch is so good the ultra channel is probably only used by the most gainy players.
Did I mention it's really loud but sounds superb at low volumes. I'm not even kidding when I say this 120w amp sounds excellent at low volumes. Peavey rules!
The cleans are comparable to the Shiva and I think the Shiva probably has the best cleans I have heard in a British voiced amp. The crunch channel has a kind of the Marshall thing going on. It reminds me a lot of some of the sounds I've heard in Michael Schenker solo albums. The ultra channel I can't really compare except it reminds me of a 5150 but with EL34's. I never played a XXX but that's apparently what it's based on.
They say the clean channel was designed to take pedals, and even to the most critical it couldn't be far from the truth. What I find amazing is how the clean channel stays so clean with the volume cranked, yet even with a very mild OD like a TS9 it seems to somehow get a little gainier than it normally does. Usually an amp would have to be set for a grittier clean before a tube screamer would push it to rock tone but the JSX stays ultra clean and rocks with a tube screamer.
I only have 2 minor complaints. First off there is no reverb. I would love to have reverb on this amp. Fortunately it has a great effects loop. Unfortunately I've tried several reverb pedals like the Holy Grail nano, Boss RV7, Hardwire reverb, and none of them were satisfactory.
Secondly since a reverb tank would add weight to the head it's a great thing they didn't add it. The head is very heavy, even compared to my Engl Powerball II which is a little bigger. At least it's built very sturdy.
The demo model I played over and over again before buying one was sitting in Guitar Center for 2 years and was even dropped at one point. It worked perfectly. When I was deciding between a Fender Supersonic, Fender Blues Deluxe Reissue, and the JSX, I came across 2 faulty Blues Deluxe RI's, and 2 faulty Supersonics. One BD RI had a bad vol pot and the other cut on and off. One Supersonic had a faulty reverb and the other one had a bad channel switch.
I was becoming very skeptical of Fender quality so I decided on the JSX. Otherwise I would have gotten a Blues Deluxe Reissue instead. I'm glad I chose the JSX because now I have an extremely versatile amp which is also easy to retube and bias because of the external bias pots.
The 5150 was a great amp but I have to say this is the best amp Peavey has ever made. It really surprises me that the JSX hasn't become a great sensation. Maybe it could be because it's associated with Joe Satriani or because it's often regarded as a high gain or metal amp. It does have a lot of distortion on the ultra channel but clean and crunch is so good the ultra channel is probably only used by the most gainy players.
Did I mention it's really loud but sounds superb at low volumes. I'm not even kidding when I say this 120w amp sounds excellent at low volumes. Peavey rules!