Re: how much wattage do you *need*?
TwilightOdyssey said:
Wattage is the lifeblood of the electric guitarist; it's like health points in a video game; the more watts you have on tap, the larger your dynamic reserve, plain and simple.
I don't think there has been a statement made on this board that I could possibly disagree with more.
"Dynamic reserve" has absolutely nothing to do with it.
The more watts in a guitar amp you have the louder you can be. By the same token the bigger the PA whatever's going through it can be as louder as well.
The smaller the wattage of your amp the easier it is to get it to break up at low volumes. The oppisite side of this is that certain classic sounds are based on amplifiers that operated at louder volumes.
Unless you're going for that specific sound then you really don't need that level of wattage.
By your "dynamic reserve" analogy the classic Fender 100 watt Twin amps should be what everyone on Gods Green Earth are striving for. They have headroom for days....and that's the problem with them. In order to get the classic "Twin" sound you need to crank the amp to a level that's deafening to 50 yards away. There's a reason why you always see vintage Twins being sold and traded; they're too damned loud for the application that most musicians would encounter!
Technically with a decent PA and some good monitors (and a soundguy that isn't nodding off) you could gig one of those little cigarette pack amps in a stadium setting and have it work just fine. If you like that sound then there is absolutely nothing in the equasion that would require that it put out more volume as long as you have it miced into a decent PA, a good monitor setup and, of course, the soundguy not nodding off.
If you think about it most Overdrive and Distortion pedals exist because amps have become too loud - look at what effect they acheive; they make an amp sound "cranked" or "dimed." There's plenty of little extras they provide as well. As a confirmed overdrive pedal junkie I certainly can't dismiss the necessity they have in a guitar players arsenal. But at a core level that's what they do; they make a non-cranked amp sound dimed (or, if you're doing it right, sound more dimed...as weird as that sounds).
I think probably at the crux of our impasse will be the question "Do you play your amps primarily to get good tone or do you play your amps primarily to be heard; which is your priority?"
To me, the priority is sounding good. I'll let the PA do the heavy lifting for me.....