B Bogner New member Sep 17, 2021 #2 I love Eventide and have these pedals, all great stuff...BUT, 99% of that Monster Rock tone is via that KSR stuff.
I love Eventide and have these pedals, all great stuff...BUT, 99% of that Monster Rock tone is via that KSR stuff.
Securb One of Jerry's Kids Sep 17, 2021 #3 Bogner said: I love Eventide and have these pedals, all great stuff...BUT, 99% of that Monster Rock tone is via that KSR stuff. Click to expand... The cool thing was he was very transparent about the KRS stuff.
Bogner said: I love Eventide and have these pedals, all great stuff...BUT, 99% of that Monster Rock tone is via that KSR stuff. Click to expand... The cool thing was he was very transparent about the KRS stuff.
B Bogner New member Sep 17, 2021 #4 Securb said: The cool thing was he was very transparent about the KRS stuff. Click to expand... True and even though the KSR stuff is a huge core the other stuff seasons it very nicely and does make a very noticeable difference.
Securb said: The cool thing was he was very transparent about the KRS stuff. Click to expand... True and even though the KSR stuff is a huge core the other stuff seasons it very nicely and does make a very noticeable difference.
beaubrummels Well-known member Sep 18, 2021 #5 In the old days, you would just record two different guitars that didn't intonate the same. It was FAT. Frequency Adverse Tuning.
In the old days, you would just record two different guitars that didn't intonate the same. It was FAT. Frequency Adverse Tuning.
ICTGoober Well-known member Sep 19, 2021 #7 In the really old, old days mono was the way to go - not stereo.
C CaptainWhizz New member Sep 19, 2021 #8 “I thought I had mono for an entire year. Turned out I was just really bored.” I haven’t watched the video yet, is it basically the old “double-tracked with very slight pitch differences” trick? Or Mick Mars/ Dimebag rack harmoniser?
“I thought I had mono for an entire year. Turned out I was just really bored.” I haven’t watched the video yet, is it basically the old “double-tracked with very slight pitch differences” trick? Or Mick Mars/ Dimebag rack harmoniser?