Re: HOW TO: Make a 59/Custom Hybrid
Hi
I have put a pair of hybrids into my Hamer Studio Custom.... 59/Jazz in the neck and 59/Custom in the bridge. Both have Gibson covers. I have retained the Hamer 300K custom taper pots and wiring. I read this entire thread over many times and decided to give it a go.
First, let me say that I got the Hamer not too long back (they're not sold here in Australia, or weren't at the time) and it had a pair of covered 59's as stock equipment. I played it a lot and listened very carefully....it's clearly a really resonant piece of wood and it sounded pretty fine stock, but i felt it could be even better.
As soon as the hydrids were in, i continued to play through exactly the same amps and settings that i had been using in the lead-up to the swap.
These pickups are IT !!! Everything else i have ever heard or used sounds flat and lifeless by comparrison. I am a big believer in the clean sound of a guitar and an amp being as good as possible, and then that will only get even better with overdriven tones.
The neck 59/Jazz (A5)neck is a thing of beauty in this guitar. It is so full and harmonically rich, dripping with overtones, notes and chords bloom and i find myself having trouble actually playing as it is such a joy to just listen. I always use valve amps, often with EF86 pre-amp tubes, and the sound of this pickup is like a new musical dimension i could never have imagined....and i have been playing for 35 years and owned a lot of good gear. I tried an A3 magnet in this pickup at first but it was a disappointment...TOO chimey trebles and loose and flubby bass. I changed to A5 and found the timbres i am trying to describe.
The bridge pickup?....WOW!....this 59/Custom (A5)....has it all going on....clean, it is more detailed and complex, with bite and sting, and very responsive to playing styles (as is the neck, btw). Much more three dimensional than the 59. But this pickup really starts to shine when the sound gets a little driven. It seems to cover from 70's rock sounds right up to contemporary, depending on what kind of drive, and how much. I feel like i can get from Paul Kossoff /Peter Green through to AC/DC to EVH tones and beyond. Depending on technique, i can find classic vintage rock sounds to fierce thumping riffage with muting, and screaming harmonics, pretty much everything i can imagine. The neck pup also is wonderful with overdrive, it sings and moans and wails and always seems articulate.
The in-between, or 'both on' sounds, esp clean, are gorgeous. I suppose in a way it's almost like a 4 coil hybrid! It has so much character, depth and detail, i still find myself just playing a chord and letting it ring to just...LISTEN....and i play some complex chords to see if i can hear any garble, but there is none.
I have to say that the Hamer is a great guitar to begin with...superb wood with beautful resonance....and the hybrids just find those things and bring them out. I have another pair to go into a Fernandes LP, just waiting for that to come back from having a fret job....and am looking forward to hearing that baby with the hybrids installed.
I notice some people mention the tiny bit of extra hum....well yes, but in my case, it is barely noticeable, and lets face it.....for tone like this.....it's a no-brainer. I guess for really high gain playing that may be a consideration, and it is likely that this pickup is not the ideal in those circumstances.
BachToRock, i feel sure that any and all who have built or bought a hybrid and had the joy of playing using them feels a great debt of gratitude to you for sharing this wonderfulness with us all. The only problem is, apart from forgetting to play because i just enjoy listening to my guitar so much, is that anything else on the forum now seems kind of....ordinary, flat and hard to get excited about. Hehe. There is a certain inner warmth knowing one has an instrument that can produce sounds that impress the soul as much as the ear.
It is desevedly right that your thread is the most highly-viewed ever, and long may that continue. If i wasn't so far away, i would be sure to seek you out and ply you with as many rounds of your favourite drink as you deemed suitable.
To anyone who has read this BTR thread and become enthused....TRY THESE PICKUPS !! Spend a few hours really listening to your instrument in fine detail, mostly clean, then make the swap and listen again. If you are not smiling from ear to ear, i would suspect that your guitar is beyond redemtion or you are hearing impaired. Then go to your overdriven sounds and......suddenly hear the player you always wondered if you could be.....and know true happiness.......
THE END ......(and the beginning....)