Frantic_Rock
FragleRockologist
Re: I am the worst soloist please help!
The best way i found to practice soloing is to play over a variety of backing tracks. Get your whole body into the rhythm of the music, and start coming up with phrases and ideas. Try to repeat some phrases - like the contour of it, or what it's trying to say. Or try to make a phrase that answers the question which the phrase before it asked. I know it's easy to say, but hard to do.
For me - licks only were good to show me the place on the neck where the notes came from, and the note choices. You have to take these same licks, and apply them over backing tracks by changing the notes or the rhythm. (Most of the time you will not be able to play the licks exactly over anything, because all tracks and grooves are different).
The biggest results for me came from jamming over backing tracks. And get a friend if you can - and do call and response. You solo for 4 bars, then he soloes for 4 bars. It gives you:
1. Time to think about your next phrase
2. Listen to your friend play something, and get an idea from him.
3. Feel the rhythm of the music, and improve your time with your soloes.
4. Practice your scale knowledge.
5. Practice technique.
All at the same time. 5 in 1 deal - if you practice that way.
Oh and ofcourse try to learn as much scales, arpeggios, all over the neck, so that there isn't a place on the neck where you are lost. Always try to relate them to the root on the 6th, 5th and 4th strings - so each pattern is "grounded" to some "root location" where a corresponding chord would start from.
My site has all the modes, melodic minor modes, harmonic minor modes, and 4 note arpeggios. The arpeggios can be learned not only for playing them up and down in soloes, but also to orient yourselves and simply look at the neck, and know where the 1-3-5-7 are. These are strong tones.
Chord tone targeting is another thing. You can do it by ear - start and end your phrases on strong tones: 1,3,5,7. Alternately, start and end your phrases on more spacy, out there tones: 2(9), 6(13), 4(11) - very unresolved. The 9 is my favorite for ending lines and starting lines.
good luck.
The best way i found to practice soloing is to play over a variety of backing tracks. Get your whole body into the rhythm of the music, and start coming up with phrases and ideas. Try to repeat some phrases - like the contour of it, or what it's trying to say. Or try to make a phrase that answers the question which the phrase before it asked. I know it's easy to say, but hard to do.
For me - licks only were good to show me the place on the neck where the notes came from, and the note choices. You have to take these same licks, and apply them over backing tracks by changing the notes or the rhythm. (Most of the time you will not be able to play the licks exactly over anything, because all tracks and grooves are different).
The biggest results for me came from jamming over backing tracks. And get a friend if you can - and do call and response. You solo for 4 bars, then he soloes for 4 bars. It gives you:
1. Time to think about your next phrase
2. Listen to your friend play something, and get an idea from him.
3. Feel the rhythm of the music, and improve your time with your soloes.
4. Practice your scale knowledge.
5. Practice technique.
All at the same time. 5 in 1 deal - if you practice that way.
Oh and ofcourse try to learn as much scales, arpeggios, all over the neck, so that there isn't a place on the neck where you are lost. Always try to relate them to the root on the 6th, 5th and 4th strings - so each pattern is "grounded" to some "root location" where a corresponding chord would start from.
My site has all the modes, melodic minor modes, harmonic minor modes, and 4 note arpeggios. The arpeggios can be learned not only for playing them up and down in soloes, but also to orient yourselves and simply look at the neck, and know where the 1-3-5-7 are. These are strong tones.
Chord tone targeting is another thing. You can do it by ear - start and end your phrases on strong tones: 1,3,5,7. Alternately, start and end your phrases on more spacy, out there tones: 2(9), 6(13), 4(11) - very unresolved. The 9 is my favorite for ending lines and starting lines.
good luck.