Agileguy_101
Master of his Domain
Re: I take back everything I've ever said about Strats not having a great jazz tone..
I just now listened to the video. I love how his tone isn't as dull as a lot of other jazz players do. Single coils are the OG jazz pickup. I need more single coil in my life. I also love his playing - his solo phrasing is incredible.
Damn straight. His stickwork is flawless.
Allow me to clarify. I would only wire the neck and bridge pickup to the 3-way switch. I would wire the middle pickup to an on/on toggle that would combine it with whatever was on the 3 way in one position and route it to another on/on in the other position. The second on/on would send the middle to the volume pot in one position and remove it from the signal path in the other. This would let me get all seven combinations - n, n+b, and b on the 3 way; n+m, n+m+b, and m+b with the first toggle on, and just m with the second toggle engaged. It might sound a bit cumbersome, but I have a HSH guitar like this but without the second switch soloing the middle pickup. It works for me because I won't need to use just the middle pickup very often so I can treat it like a guitar with a 3 way and a single switch.
I just now listened to the video. I love how his tone isn't as dull as a lot of other jazz players do. Single coils are the OG jazz pickup. I need more single coil in my life. I also love his playing - his solo phrasing is incredible.
The guitar sounded pretty nice, but I have to admit I mostly paid attention to the drummer the whole time. Dude was killing it!
Damn straight. His stickwork is flawless.
The only problem is, if I'm not mistaken, that the gibson switch is designed for two pickups, so the middle position has the two in parallel, as kind of the default setting. I'm not sure though, it may be possible to wire a gibson 3 way to do neck - middle - bridge in the 3 different positions.
If it isn't, which I think is the case, I'd wire up a strat with a master volume and a master tone, and then use the third knob to roll in the middle pickup, kind of like a spin-a-split but with single coils.
The only sound you couldn't get with that would be the middle by itself, which IMO is a pretty good sound but people tend to gravitate towards the neck and bridge in a SSS setup as standalone sounds, and use the middle pickup for "in-between" sounds primarily.
Allow me to clarify. I would only wire the neck and bridge pickup to the 3-way switch. I would wire the middle pickup to an on/on toggle that would combine it with whatever was on the 3 way in one position and route it to another on/on in the other position. The second on/on would send the middle to the volume pot in one position and remove it from the signal path in the other. This would let me get all seven combinations - n, n+b, and b on the 3 way; n+m, n+m+b, and m+b with the first toggle on, and just m with the second toggle engaged. It might sound a bit cumbersome, but I have a HSH guitar like this but without the second switch soloing the middle pickup. It works for me because I won't need to use just the middle pickup very often so I can treat it like a guitar with a 3 way and a single switch.