The money they make for selling 1970s technology for 200+ a set has to go SOMEWHERE and it sure ain't R&D.screamingdaisy said:Most companies can't afford to pay artists to use their gear. Most artists only get $$$ for signature gear.....simply being endorsed by them only gets them free (or reduced cost) product, and maybe some free exposure on the manufacturers website.
Guys like Kirk Hammet don't get paid for using EMGs, but he does get paid every time they sell a KH-21 loaded pickguard. James gets f*ck all for using them.
Perhalps one of the guys that actually has an endorsement can speak up here.....
rombola said:/.................i mean like metallica slayer , zakk wylde , lots of this bands go with emg why?
Zerberus said:100% Personal Preference, you could ask the exact same question with Dimarzio or EMG....
In other words....
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Ex.: If EMG are abetter , why all these rockstars go with Dimarzio??????.................i mean like Steve Vai, Joe Satriani, Yngwie Malmsteen, lots of this bands go with Dimarzio why?
Ex.: If Dimarzio are abetter , why all these rockstars go with Duncan??????.................i mean like Pantera, Megadeth, Iron Maiden, Arch Enemy, Aerosmith, lots of this bands go with Duncan why?
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Understand what I mean?
rombola said:/.................i mean like metallica slayer , zakk wylde , lots of this bands go with emg why?
TheGZeus said:The money they make for selling 1970s technology for 200+ a set has to go SOMEWHERE and it sure ain't R&D.
MikeS said:Point? While I'm sure some of these artists with endorsements do recieve some kick backs, I'm sure they are very small in comparison to what they already make in terms of a living. I hardly believe that a few free pickups and small endorsement checks are going to completely dictate an artists, especially one with the success of Kirk Hammet, sound and tone. Can't we all understand that there is no one "best" pickup manufacturer, and that every make of model of pickup is going to hold certain qualities that some love and some don't? It's really not a tough concept to grasp.
I'm not talking about the endorsees.MikeS said:The KH-21 set retails for over $200? Well, take two EMG 81s that retail for $80 a pop, a new pickguard, new knobs, and pay someone the labor to wire it all up... and I don't see see much of a markup for teh Kirk Hammet name at all.
Point? While I'm sure some of these artists with endorsements do recieve some kick backs, I'm sure they are very small in comparison to what they already make in terms of a living. I hardly believe that a few free pickups and small endorsement checks are going to completely dictate an artists, especially one with the success of Kirk Hammet, sound and tone. Can't we all understand that there is no one "best" pickup manufacturer, and that every make of model of pickup is going to hold certain qualities that some love and some don't? It's really not a tough concept to grasp.
Once you hit ONE pedal, you're low-impedence anyway.Jeff5 said:No knock on EMGs, they're great pups.
But a lot of artists use them because everyone else does. The music industry has its lemmings no doubt about it.
I don't know if they're neceassirly clearer under high gain, but when a lot of these big named bands play live they have TONS of stuff for their guitar singal to go through before it reaches the speakers and your ear. This results in signal degradation. EMGs (and actives in general), retain the clarity and signal as they have an active pre-amp that pushes it through.
In the studio, they're probably not going through as much stuff, and even if they are, engineers etc., can clear up the signal, multi track the guitars etc., so that "push" from actives isn't as needed.
Again, not sayinjg they're better or worse than Duncans. Only your ear can tell you that. I think Duncans have serious mojo though.![]()
I think I saw ONE person use that term.ranalli said:Oh Joy another EMG thread where EMGs are sterile blah blah blah....
Don't some of you guys get tired of bashing EMGs just because YOU can't find a use for them??
I have guitars with Duncans, Dimarzios, and EMGs....they all have their place for different tones....and NONE of them are sterile. Actually sterile is a dumb word to describe them anyway....EMGs are lively and kick back very much and they certainly perform the function set before them.
TheGZeus said:I'm not talking about the endorsees.
I'm talking about EMG.
They have a silly markup, nad haven't trpuly come out with nything new since the 1970s.
Just altering a couple windings and a couple values in the preamps on bass pickups and re-naming them, and putting existing pickups under different covers.
NO real R&D, so their price is totally unjustifiable.
MikeS said:You must have one heck of an inside scoop on EMG if you know what their markup is and how much R&D they've done in the last thirty years. The simple explaination to their prices could be summed up in a simple little economics lesson titled "Supply and Demand."
ranalli said:who wouldn't charge what they could for a particular product if the demand is high??