Robert Delahunt
Showmasterologist
Just like it says: do you like the '59 or Jazz neck? Which do you prefer?
Generally, when Seymour designs a calibrated set he give the bridge pickup the full output and DC resistance of the vintage pickup and underwinds the neck pickup - rather than winding the neck pickup to vintage specs and overwinding the bridge pickup. He doesn't make the bridge pickup with more output - instead he winds the neck pickup for less output.
Normally I just find the stock 59N to be too boomy in the lows for my tastes.
+1. That's the biggest downside to '59N's. Fix that, and you'll have a lot more happy players. I've got to try an A4 in one of mine.
I recently swapped out a PGn for a Jazz in my main guitar. Haven't played it enough to really know if it is an absolute keeper or not, but I do find that I am liking it more than the PG...and I've played a PGn in my guitars for many moons. I like the clarity of the bass and it seems to have more "roundness" to the high end than the PG. Does not seem overly bright to me...and I have a 500k volume and no tone control.
I got a Jazz over the 59n mainly because I've read so much about this "boominess" of the 59n. Sounds like something I'd want to avoid. The one problem I'm discovering with the Jazz is that it is louder than the 59 I have in the bridge. I really like the 59b, and I don't want to change that out.
I should probably get a 59n to try...