UCSDBoy
New member
Re: JB, 1 vol, no tone!
thanks! You're right, I forgot audio pots are logarithmic instead of linear taper... but the question is still kind of the same - if I wanted to hear what a 250k pot sounded like I should just have to roll the 500k pot down (in this case, a small amount) to get 250k, correct? I understood that slapping a resistor across the terminals would create a parallel circuit and what this does, but it was interesting that someone would write an article on how to simulate a 250k pot with a 500k (for tone pots, I guess), when they could just go out and buy a 250k...
Hey Kent S.,Kent S. said:Right .....
First off unless you are using linear pots it won't do that ... an audio taper (commercial approximation-twoo segment) turned halfway down will be about 10% of the pot's total R/Z. Not sure what you are referring to (haven't checked the link), the reason for putting a resistor across the CW and CCW terminals of a volume pot is to load the system as if the pot's value was the paralleled value of the pot and resistor. That's a volume pot, it's not quite that same for a tone control. The reason that someone would put a resistor there would be to damp the resonant peak of the pup. Therefore the tone at ten will always be just what it is, the maximum allowed by that addition of R. If you planned on using the extra brightness at times it wouldn't make sense to do this, but if you didn't ... well it wouldn't make much sense to have you tone control sitting on 7.5 all the time would it? If you are referring to a lrager vaued cap, and limiting the maximum attenuation level of the tone control ... that's a whole different thing altogether.
thanks! You're right, I forgot audio pots are logarithmic instead of linear taper... but the question is still kind of the same - if I wanted to hear what a 250k pot sounded like I should just have to roll the 500k pot down (in this case, a small amount) to get 250k, correct? I understood that slapping a resistor across the terminals would create a parallel circuit and what this does, but it was interesting that someone would write an article on how to simulate a 250k pot with a 500k (for tone pots, I guess), when they could just go out and buy a 250k...
Uhh, circuits for computer guys isn't the same for real electronics guys... lol we get retard electronics - 101. So if I read you right, then the capacitor is what actually lets the higher frequencies go to ground? The variable resistor does block the higher frequencies (reducing the amplitude of the wave), but if not for the capacitor, the entire signal would go to ground, and not just the high frequencies? If the capacitor is ultimately what dams the river, so to speak, how does it work? I thought they just stored a charge and after it filled, let it go...Kent S. said:The capacitor only allows higher Fcs thru so when you turn down the tone control the lowest Fcs are blocked from ground, but the highs aren't ... hence they are removed from the signal ... That's a greatly overstated simplification, but it gets the point across. You take the cap away, and all you have is a variable load the ground, it will damp the resonant Fc of the pups (amplitude of it that is), but will not cause a low pass filter slope to form ( attenuating higher frequencies past a cut-off or corner Fc more and more the higher they go), the only thing that would happen without that cap is you pull down the peak, then eventually cause some roll off, but the whole time your level would be dropping as you'd be changing the ratios of the voltage divider ... You, might eventually get the roll-off of highs you want, but what good does it do you when your guitar level is sitting at about -40dB compared to where is was? The cap establishes a filter in conjunction with the source impedance and controlling resistance of the pot. It's a first order low pass filter with a limited attenuation control, I'm sure you covered those in electronics.