Re: Killer New Egnater Rebel 20!!!
JMoose, did you check out the video's?? That tone sounds pretty good to me.
Not this morning, but I just listened to a few minutes of each now...
Truthfully, I can't put ANY stock into what's "heard" over Utoob. The audio compression is atrocious... 12-bit mono and while I have over $3k in monitors in the mix room I've got $25 speakers on the computer that, in all fairness I do listen to a good bit of music on.
Nothing compares to being in the room with the amp... let alone actually playing it.
Nothing!!!!
Anywhoo...
The Rebel I played at the NY Amp Show was a prototype... I believe they said "the final" as well though it's a bit different then one shown above. Most notable is that the one I sampled didn't have "tube blend" but had a rocker switch for either/or. There may be other differences on the panel but that's the most obvious...
I brought my lemon top LP (AII & Jazz) with me to the show & one of my hi-fi player friends came along too. We used my Lester throughout the day to keep a consistent point of reference among the amps.
The Rebel was going a pair of 1x12 cabs and was somewhat quick to impress... had a good range of available dirt tones thanks to the 3-band EQ and voicing switches. What I recall is that it covered all the "classic" rock tones and then some but wouldn't/couldn't get into modern metal or hi-gain weedly weedly shred tones.
Frankly... the thing that most sticks out in my head when I think of the Rebel was that no matter how it was setup it couldn't produce a usable clean tone, and when it did, it was at a volume that we could EASILY talk over. That, and it was very "unfriendly" to dynamics. Didn't matter if we rolled the guitar volume back, picked lighter... turned the gain down and the master full up...
It just wasn't there.
The guys from Egnater were turning dials & flipping switches... handing me different guitars... trying everything to get a clean tone. When I rolled the guitar volume back all the top & bottom end disappeared leaving a really peaky, ugly tone.
Felt pretty bad to play too. Really bad.
Listening to the "clean" clips above with a ton of FX and a compressor, and he kept turning the master up & up... I dunno man. Is it better? Probably... could it produce a giggable clean tone? Won't know until I play one...
Now when we were in the room (May?) there were bunch of GuiTarget corporate flunkys there talking to Egnater cats & listening to me abuse the amp... I overhead that these were supposed to in stores by end of July/August which I only remember 'cause there was a joke made about getting one for my birthday (Aug 1).
I wonder if they went back & redesigned the output section... we talked for a bit about what was going on there, how the wattage scaling actually worked (lowers plate voltage to the tubes) but I couldn't help to think that having a master volume AND the variable wattage was redundant.
Maybe that's where the issue was...
I've played the Tourmaster & an Egnater modded JMP & liked 'em... this didn't have the vibe. All I know is that while I love inexpensive gear that sounds great, I'm really a "cost is no object" guy and will GLADLY save for a long time to get what I want. There was nothing about the Rebel I played that has stuck in my head & got me thinking that I need to own one.
On the flip side, when I played Germs "Wrecked" amp (the Tone Shop) that day it left a huge dent in my head... So much that it's on the short list of things to investigate if I can ever sell my '84 JCM800.
The Tiny Terror left a similar mark (though not as deep)... as have a handful of other amps.
Like I said though, I played a prototype of the Rebel that's visibly different from the "final" so who knows what else is different under the hood. If they got the dynamics sorted out it could a TT killer... otherwise, probably not.