matizadomrb
New member
Re: Let's talk greed... Three P-Rails + triple-shots in one guitar!
Brother I'm so excited with this whole thing! You're a gift from heaven! Again thanks so much my man!... I sure hope you're having as much fun as I am! hehe
Yeah I completely get what you're saying. If I was a guitar designer and this was a product I was gonna put in the market I will NEVER put switches for phase options between the coils of the pup because it would be utterly confusing. I would also do what you suggested about using just two switches instead of three for the phase options between pickups (considering you only need one switch less than the number of pups) because having one for each pup can also get very confusing if you don't know how phasing works. That's the case with Brian May's Red Special for example... When I first tried it I just started flipping switches like crazy to hear all the tonal options and though that some of them sounded pretty much the same... That was because it had a phase switch for each pup so for example when I flipped all three I was actually back to in phase config... Couldn't figure it out until I read the instructions and found out what each switch was doing.
But in this case this guitar is for me and as I said at the beginning this is a "tweakers" guitar! I'm a freak about dialing up the tones in my head with amps, effects and routing options (to a degree that some people say I must have dog ears because sometimes they can’t hear the difference! Hehe) so doing it with the guitar itself is just the logical step for me!... With these phase switches I know that in many cases I will have to "flip back" to the upper in phase position before flipping another one or it'll become a mess!
Still nothing is written in stone yet. It is only a mad scientist experiment at this stage! Theoretically it sounds interesting to me to be able to phase shift the coils of a P-Rail (based on my experience I can imagine some exotic tonal colors that can result from this option that I think might be really interesting) but you're right that on any other pickup it would be completely ridiculous, but until I try it and judge if those tones are of any use, this feature is subject to change.
Mmmmm 12 cap options... I'm sure this ain't no surprise but I can think of a lot of cool options using 12 caps! hehe... For example I can have caps from 0.1uF (for those Nocaster and Esquire 50's ultra bassy tones that Leo Fender put so that the guitar could act as a bass with the tone rolled off) all the way down to 0.010 (as you find in the modern wiring for Gibson Les Pauls) or lower (for a treble bleed effect).
OK another update. I have a diagram sketched out on paper that includes the new ideas you brought up, but there are somethings I would like to discuss with you first before I draw a finalized clean diagram.
Brother I'm so excited with this whole thing! You're a gift from heaven! Again thanks so much my man!... I sure hope you're having as much fun as I am! hehe
-Phase switches between the coils of a pickup: With any other pickup this would be a complete waste of time, but considering the unique construction of the P-rail this is a bit less ridiculous. Since phasing is relative to the other coil pickups this presents an interesting case with the P-rail. If you flip the phase switch between the coils the rail will be OOP in relation to the P90. Now in relation to say the Bridge pickup the rail will also be OOP in relation to that pickup. If you flipped the phase switch for the entire neck pickup the P90 will now be OOP in relation to the other pickups. When you start flipping the other phase switches it gets kinda confusing.
Another example is if say you flip the phase switch on the neck pickup and also on the bridge pickup these 2 pickups will be in phase with each other and the middle pickup will be out of phase.
Yeah I completely get what you're saying. If I was a guitar designer and this was a product I was gonna put in the market I will NEVER put switches for phase options between the coils of the pup because it would be utterly confusing. I would also do what you suggested about using just two switches instead of three for the phase options between pickups (considering you only need one switch less than the number of pups) because having one for each pup can also get very confusing if you don't know how phasing works. That's the case with Brian May's Red Special for example... When I first tried it I just started flipping switches like crazy to hear all the tonal options and though that some of them sounded pretty much the same... That was because it had a phase switch for each pup so for example when I flipped all three I was actually back to in phase config... Couldn't figure it out until I read the instructions and found out what each switch was doing.
But in this case this guitar is for me and as I said at the beginning this is a "tweakers" guitar! I'm a freak about dialing up the tones in my head with amps, effects and routing options (to a degree that some people say I must have dog ears because sometimes they can’t hear the difference! Hehe) so doing it with the guitar itself is just the logical step for me!... With these phase switches I know that in many cases I will have to "flip back" to the upper in phase position before flipping another one or it'll become a mess!
Still nothing is written in stone yet. It is only a mad scientist experiment at this stage! Theoretically it sounds interesting to me to be able to phase shift the coils of a P-Rail (based on my experience I can imagine some exotic tonal colors that can result from this option that I think might be really interesting) but you're right that on any other pickup it would be completely ridiculous, but until I try it and judge if those tones are of any use, this feature is subject to change.
-Rotary switches for tone caps: You can have between 3 and 12 different cap options. Obviously 12 different cap options may be a bit much, but then again you seem to like A LOT of options.
Mmmmm 12 cap options... I'm sure this ain't no surprise but I can think of a lot of cool options using 12 caps! hehe... For example I can have caps from 0.1uF (for those Nocaster and Esquire 50's ultra bassy tones that Leo Fender put so that the guitar could act as a bass with the tone rolled off) all the way down to 0.010 (as you find in the modern wiring for Gibson Les Pauls) or lower (for a treble bleed effect).
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