deadmeat
New member
Hey all –
I am refitting a guitar, and thought I’d try Seymor’s. I usually use EMG, but wanted a passive solution this time, and a buddy of mine loves them, so….
I play Fusion and Rock. I primarily use late 80 and early 90 Ibanez S540 “Sabers” – Thin mahogany bodies, HSH configurations (all). I use Mesa Boogie Mark IV and Triaxis amps with Mesa 2:90 power through stereo 2x12 oversized sealed enclosures. I also use a TC G-Force and an Eventide 3000. Here are the sound styles I usually go for:
1) Bridge – Allan Holdsworth clean and distortion: Smooth saturated distortion without too much brittle high-end , excellent low-mids, and a good low balance. Someone siad "JB" for this?
2) Center (or mix) – Frank Gambale ultra clean: Good hi-end, bright hi-mids, and not too much lows (but not hollow or low-lacking either).
3) Neck – Scofeild “Burned Brown” semi-distorted or Archtop-Clean: Well, you know – kinda hard to describe, but if clean, lots of low (without muddiness), good low-mids, and not too much highs. If semi-distorted just listen to Scofield, and you got it (I typically use a Gibson 137 for this tone, but would like to be able to get close to that with the solid-bodies).
Ok – thanks in advance for any ideas on which SDs to stick in there -

I am refitting a guitar, and thought I’d try Seymor’s. I usually use EMG, but wanted a passive solution this time, and a buddy of mine loves them, so….
I play Fusion and Rock. I primarily use late 80 and early 90 Ibanez S540 “Sabers” – Thin mahogany bodies, HSH configurations (all). I use Mesa Boogie Mark IV and Triaxis amps with Mesa 2:90 power through stereo 2x12 oversized sealed enclosures. I also use a TC G-Force and an Eventide 3000. Here are the sound styles I usually go for:
1) Bridge – Allan Holdsworth clean and distortion: Smooth saturated distortion without too much brittle high-end , excellent low-mids, and a good low balance. Someone siad "JB" for this?
2) Center (or mix) – Frank Gambale ultra clean: Good hi-end, bright hi-mids, and not too much lows (but not hollow or low-lacking either).
3) Neck – Scofeild “Burned Brown” semi-distorted or Archtop-Clean: Well, you know – kinda hard to describe, but if clean, lots of low (without muddiness), good low-mids, and not too much highs. If semi-distorted just listen to Scofield, and you got it (I typically use a Gibson 137 for this tone, but would like to be able to get close to that with the solid-bodies).
Ok – thanks in advance for any ideas on which SDs to stick in there -