Re: Lynch Cover Tunes
BluesGuyJ said:
A diminished scale has a flat II, III, V, VI and VII. So basically take a major scale and everything but the 4th degree of that scale is flattened.
so you would go from
C D E F G A B C
to C Db Eb F Gb Ab Bb C
Good luck.
I use different math, but come to the same conclusion.

Another way to do this is to take the key you're in and play the locrian mode, which starts and ends with the
seventh note of the relative major scale, and you'll be playing the same notes.
In actuality, Lynch more often plays
major triad arpeggios but staggers them based off of a diminshed arpeggio pattern. He does do some diminished string skipping runs on the 3rd and 1st strings, tho. He also does 3 and 4 string diminshed licks bassed on the 1st - 4th strings, but once again, these are
arpeggios, not scales.
Why? The reason he uses is probably b/c it sounds better. In theory, you can play a diminished chord or arpeggio on any step between diatonic chords.
For example, in the key of C, you can play the following arps: (I'm simplifying here, tho)
C Maj
C# Dim
D Min
D# Dim
E Min
F Maj
F# Dim
G Maj
G# Dim
A Min
A# Dim
B Dim