First of all, I want to thank everybody who has posted about magnet swapping over the past few years! Based on the knowledge I gained from reading the archives, I recently went through the fun and rewarding experience of swapping out magnets in the '57 Classic/Classic Plus set that came in my Les Paul Classic Antique. I wanted what pretty much everybody wants out of this set: better definition in the neck pickup, tighter low end and more "bite" in the bridge. I was also hoping to balance the output a bit better, as my "Plus" pickup only has an extra 200 Ohms of winding (7.8K neck vs 8.0K bridge).
I initially tried the A3/UOA5 combo. This yielded great bridge tones and seemed to help with the output disparity but I just could not get the neck pickup dialed in to a point where I was totally happy (even after it "settled" for 3-4 weeks). It always just felt a little too laid back, and as odd as this sounds, it was a little too detailed (some very minor fret buzz that I could previously only hear unplugged became very apparent, for example). So, I swapped an A4 in the neck and after a few days of tweaking, I arrived at a very happy place! Unfortunately, at this point, the output was unbalanced again. I just could not get both pickups adjusted to balance one another AND to sound great.
I thought about giving an A8 a shot in the bridge (contrary to my intuition, as I do lean more toward driven vintage rock tones) but I just happened to stumble across a good deal on a used set of SD '59s and I figured that I might be starting in a happier place here with the greater winding offset between bridge and neck (~700 Ohm).
So now, here is my question for those of you who have experience with both of these pickups. Is it worth revisiting the A3 or do you think I'll have largely the same experience I had with the '57 Classics? I don't often see posts mentioning the A4/UOA5 combo so that makes me wonder if A3/UOA5 or A4/A8 would be a better staring point. I'm not opposed to trying out all combos, just trying to figure out the most sensible place to start. FWIW, I have polished A2 (stock '57 mags), polished A3, polished A4, RC A4, UOA5, and RC A8 mags on hand.
Thanks!
I initially tried the A3/UOA5 combo. This yielded great bridge tones and seemed to help with the output disparity but I just could not get the neck pickup dialed in to a point where I was totally happy (even after it "settled" for 3-4 weeks). It always just felt a little too laid back, and as odd as this sounds, it was a little too detailed (some very minor fret buzz that I could previously only hear unplugged became very apparent, for example). So, I swapped an A4 in the neck and after a few days of tweaking, I arrived at a very happy place! Unfortunately, at this point, the output was unbalanced again. I just could not get both pickups adjusted to balance one another AND to sound great.
I thought about giving an A8 a shot in the bridge (contrary to my intuition, as I do lean more toward driven vintage rock tones) but I just happened to stumble across a good deal on a used set of SD '59s and I figured that I might be starting in a happier place here with the greater winding offset between bridge and neck (~700 Ohm).
So now, here is my question for those of you who have experience with both of these pickups. Is it worth revisiting the A3 or do you think I'll have largely the same experience I had with the '57 Classics? I don't often see posts mentioning the A4/UOA5 combo so that makes me wonder if A3/UOA5 or A4/A8 would be a better staring point. I'm not opposed to trying out all combos, just trying to figure out the most sensible place to start. FWIW, I have polished A2 (stock '57 mags), polished A3, polished A4, RC A4, UOA5, and RC A8 mags on hand.
Thanks!