Low_fidelity2100 said:Micing the back of a Open cab is Good, But in my experiance its best To only Mic either the Front Or the Back For each take. Otherwise you might end up with phase canceling, and that always sounds weird to me (but sumtimes sounds really kool on the right song).
One thing I like to do when Micing an amp is, Close mic with one mic, Right on the center of the speaker. Then Take another mic, and Put it about 6 feet away and about 3 feet Above where the speaker is. And then when ya mix it in, Use the close mic as the Main sound. And Mix in the Distanced mic just to get a little more "room". Helps to give a song a More "live" feel I think.
I also Like to Mix up the mics I use alot. Seems like most people tend to stick with One or two mics for guitars. But I like to Use Lots of different mics, A different Mic for each Over dub. And I've found That you can get some really kool guitar sounds By Useing super cheap crap mic's. Like those cheesy "firstact" microphones walmart sells. If you use one of those for one track (or two) and Then Also use an Sm57 on a few Other takes. It seems to have a nice contrast to eachother, and sounds really good. One mic is Really Hifi, and the other is Soo muddy its unuseable on its own. But the Combination of the two together is fantastic.
-edward
seafoamer said:my favorite technique is to use my ears to find where i think it sounds best.
aleclee said:for hobbiest recordings, I don't think that you'd notice a difference between any decent preamps and higher-end stuff
seafoamer said:my favorite technique is to use my ears to find where i think it sounds best.
GoMano said:That is the best advice you could get.
Don't adhere to any set rule; your ears (and eyes, so you can make sure your VU meters or whatever input LED's aren't telling you your console is about to blow up) - Always remember, the pioneers of recording, and thereby the one's everybody STILL try to emulate (like Tom Dowd for example) EXPERIMENTED with MIC PLACEMENT to get all those tones we all dig so much.
Having said that - take Seafoamer's advice - move the mic around - try two mics, one against the cone and one away. I NEVER mic the backs of open-backed cabs, but then when I recorded Seymour recently, he had me put the mic straight into the back of his cab, and the tone was stellar coming into my desk. So, just listen. Your ears won't lie.
Gr8Scott said:Was seymour's cab open or closed back? Just curious.
kmcguitars said:For me... Dumb Luck seem to trump any scientific approach I've used. I just think of the speaker as a Spot light and the sound coming out is a light beam. I just place my Mic. where I feel the light will shine the best.:6: If ya really want to get crazy? Think of ambiance as shadow's. place a 2nd mic in the shadow.:13: