J Moose
New member
Re: Microphone for recording guitar
Modern condensors typically have a pretty high output and can overload the micamps pretty easily... In-line pads (-20dB usually) are a must.
I don't really like 57's myself. Not alone anyway. Too raspy.
Get a 421 or those Heil mics, those are great! Use 'em on anything... brass, vocals, drums, guitars... The 609's are good too. Besides gee'tar amps I like 'em a lot for toms... good tone, VERY easy to place as well.
For condensors... well, I like combining them with dynamics... be they 30 year old German made mics or 3 year old Baltic or Japanese mics... and always with an in-line pad!
Don't blow 'yer money on one of those sub $200 Chinese mics... might as well give it to a homeless cat.
I think too many people are quick to jump on the 57 bandwagon and ignore the benefits of using a good condenser for recording
...
I think a lot of it stems from the fact that in ye olden tymes condensers couldn't handle the SPLs a guitar amp put out. That is not the case with modern condensers, however people are still wary of using them due to the old ones getting shredded to pieces by a guitar amp.
Modern condensors typically have a pretty high output and can overload the micamps pretty easily... In-line pads (-20dB usually) are a must.
I don't really like 57's myself. Not alone anyway. Too raspy.
Get a 421 or those Heil mics, those are great! Use 'em on anything... brass, vocals, drums, guitars... The 609's are good too. Besides gee'tar amps I like 'em a lot for toms... good tone, VERY easy to place as well.
For condensors... well, I like combining them with dynamics... be they 30 year old German made mics or 3 year old Baltic or Japanese mics... and always with an in-line pad!
Don't blow 'yer money on one of those sub $200 Chinese mics... might as well give it to a homeless cat.