I really don't know why you people are addicted to this cheap-ass modern PCB cartonoid crap. Buy a 70s Traynor YGM3 and be happy. Keep it for 100 years.
I really don't know why you people are addicted to this cheap-ass modern PCB cartonoid crap. Buy a 70s Traynor YGM3 and be happy. Keep it for 100 years.
I had a YGM3 for a while . . . and while it was a lovely sounding amp for what it did, there were certainly drawbacks. The biggest one was that it just flat out doesn't work as a practice amp. There's no effects loop, and it kinda sounds like poo until it's up above yelling volume.
Reggie, if you can come up with the freight you can have my Mustang III for free. It's a great amp.
there ya go
solution in hand
ha. I love those amps but many are sealed with a weird Canadian torx or Robertson screw head to get into the back and see the speaker in a store -which annoys me because when I play them in a store and the they sound different or not as expected, I want to know what speaker is loaded or what mod was done -as you know Traynors are one of the most modded and tweaked amp because .....well they are the easiest to in most cases because of the layout and access. but those damn screws in a Guitarmate drive me crazy,
I'm sorry man . . . but the Robertson screw head is the greatest invention in screwing since birth control. I have no idea why you backwards Americans haven't adopted them wholesale and still insist on stupid Phillips or slot for most things.![]()
Illegal.Eh, just play direct to the sound board. It’s what page did, it's what I've started doing. Amps are just for old fogeys who won't let go of the past.
But seriously, in that price range, see if you can't find a Johnson Millenium combo. It's the only good modeling amp I've ever played. It's got tubes (although some of the best tones are pure solid state), the least powerful model has 150 watts, and they are tragically underpriced. Only downside is it weighs ~80 lbs for 212, but I've learned to come to terms with the heft and size of my Johnson.