Bigguy1305
New member
Hi.
I'm on my 8th project and would like some help on how to wire a Fender SCN n+m and a Seymour Duncan Hot rails bridge. I know the green and black on the Fender go to ground. On the Hot Rails, the red and white get soldered together and taped. The green and bare go to ground. My question is. What should I use to get them all hum cancelling or are they going to be hum cancel, a 5 way switch or a super 5. Also I would like in pos 4 for neck and bridge not middle and bridge. I'm going to do a treble bleed in series on my 300k vol pot with a 100k res and a .001 cap, a 250k 1tone and a 250k no load 2tone. It's going to be on an alder body I'm making with a ziricote fretboard and flame maple neck. All white with black hardware. I found out Adrian Smith has a signature model with Jackson that looks close to what mine's going to look like. Any help would be great.
Thanks
I'm on my 8th project and would like some help on how to wire a Fender SCN n+m and a Seymour Duncan Hot rails bridge. I know the green and black on the Fender go to ground. On the Hot Rails, the red and white get soldered together and taped. The green and bare go to ground. My question is. What should I use to get them all hum cancelling or are they going to be hum cancel, a 5 way switch or a super 5. Also I would like in pos 4 for neck and bridge not middle and bridge. I'm going to do a treble bleed in series on my 300k vol pot with a 100k res and a .001 cap, a 250k 1tone and a 250k no load 2tone. It's going to be on an alder body I'm making with a ziricote fretboard and flame maple neck. All white with black hardware. I found out Adrian Smith has a signature model with Jackson that looks close to what mine's going to look like. Any help would be great.
Thanks
