Demanic PenultimateTone Member Jan 31, 2022 #23 I'd put a FS2 in the bridge and a 9k scaterwound bucker with mismatched coils and an A4 in the neck. Push/pull volume and tone for series/parallel and phase. And rock, funk, jazz, metal the bejeezus out of it Sent from my SM-A115A using Tapatalk
I'd put a FS2 in the bridge and a 9k scaterwound bucker with mismatched coils and an A4 in the neck. Push/pull volume and tone for series/parallel and phase. And rock, funk, jazz, metal the bejeezus out of it Sent from my SM-A115A using Tapatalk
Mincer Administrator Staff member Jan 31, 2022 #24 I get it...I don't like Teles either, but I dig the Tele color.
Aceman I am your doctor of love! Feb 2, 2022 #25 The only guitar worth owning is a Tele. If you can't do it on a Tele, you simply can't do it.
GuitarStv Sock Market Trader Feb 2, 2022 #26 Aceman said: The only guitar worth owning is a Tele. If you can't do it on a Tele, you simply can't do it. Click to expand... OK boomer.
Aceman said: The only guitar worth owning is a Tele. If you can't do it on a Tele, you simply can't do it. Click to expand... OK boomer.
JamesPaul Well-known member Feb 2, 2022 #27 I like all those weird Fender colors, like Seafoam Green, Shell Pink, Daphne Blue, etc. But I will respect your rattlecan black.
I like all those weird Fender colors, like Seafoam Green, Shell Pink, Daphne Blue, etc. But I will respect your rattlecan black.
Blille New member Feb 2, 2022 #28 JamesPaul said: I like all those weird Fender colors, like Seafoam Green, Shell Pink, Daphne Blue, etc. But I will respect your rattlecan black. Click to expand... Not really weird. Just pastel, low saturation. I love them myself.
JamesPaul said: I like all those weird Fender colors, like Seafoam Green, Shell Pink, Daphne Blue, etc. But I will respect your rattlecan black. Click to expand... Not really weird. Just pastel, low saturation. I love them myself.
Securb One of Jerry's Kids Feb 2, 2022 #29 I see a stompbox and I want to paint it black. No colors anymore I want them to turn black.
