frankfalbo
In Fluence Y'all
Hey guys, I need your help on something.
At NAMM in January, we will be launching some new pedals that we will make here, in the United States. We are considering a sub-brand to differentiate premium US-made effects pedals from our current California-designed/off shore manufactured offerings. Part of the differentiation might be cued by the cosmetic design and finish of the chassis. Our current pedals use a steel chassis, and are painted. Below are some photographs that simulate proposed finishes on an existing pedal, Déjà Vu. The finishes were real, but they're all done on raw chassis and the Deja Vu graphics are overlayed in photoshop. To be clear, we won't be doing this to the Deja Vu, it's just an example. Also DON'T ASK about what the new pedals are! :nono::laugh2: I can't say yet, but when I can, I will.
We’re interested in what you think both personally and about how the market might respond to these alternatives. For the US-made products, we’re considering options with a more forged, industrial, raw machine appearance. The options you see have a combination of durable colors more like stain or ink than like paint, and textured machine or engine-turned finishes. Also included here are interesting finishes best described as “arrested corrosion.” General comments are invited and welcome, but I've got a few specific questions for you:
1. Will you or the market accept random colors? That is to say, to keep channel inventory simple and add some mystery, will you buy a pedal knowing that color of the pedal you take out of the box will be a surprise?
2. Does the era of “relic” guitars, aged parts and ragged tweed vintage amps open the door for tough-looking corroded steel pedal casings having random arrested corrosion washes?
3. Are random small variances in appearance details acceptable or even interesting on a new electronics item that is immediately destined for the sole of your shoe anyway?
At NAMM in January, we will be launching some new pedals that we will make here, in the United States. We are considering a sub-brand to differentiate premium US-made effects pedals from our current California-designed/off shore manufactured offerings. Part of the differentiation might be cued by the cosmetic design and finish of the chassis. Our current pedals use a steel chassis, and are painted. Below are some photographs that simulate proposed finishes on an existing pedal, Déjà Vu. The finishes were real, but they're all done on raw chassis and the Deja Vu graphics are overlayed in photoshop. To be clear, we won't be doing this to the Deja Vu, it's just an example. Also DON'T ASK about what the new pedals are! :nono::laugh2: I can't say yet, but when I can, I will.
We’re interested in what you think both personally and about how the market might respond to these alternatives. For the US-made products, we’re considering options with a more forged, industrial, raw machine appearance. The options you see have a combination of durable colors more like stain or ink than like paint, and textured machine or engine-turned finishes. Also included here are interesting finishes best described as “arrested corrosion.” General comments are invited and welcome, but I've got a few specific questions for you:
1. Will you or the market accept random colors? That is to say, to keep channel inventory simple and add some mystery, will you buy a pedal knowing that color of the pedal you take out of the box will be a surprise?
2. Does the era of “relic” guitars, aged parts and ragged tweed vintage amps open the door for tough-looking corroded steel pedal casings having random arrested corrosion washes?
3. Are random small variances in appearance details acceptable or even interesting on a new electronics item that is immediately destined for the sole of your shoe anyway?