squiredogs
New member
First timer here - I've been addicted to reading the forums after stumbling onto them a few weeks ago.
I need some help with a "life-altering" pickup change. To make it a little easier, here's a little history:
I just got back into playing with some guys, after a good 8 year layoff. Back in the day, I played out often enough to justify buying lotsa gear. Now I'm old, and cheap. So I'd like to get some input before I spend -
All of my guitars had Jackson j-50BC bridge pickups with the je-1200 active mid-boost. I became addicted to them when I got a Charvel in the 80's that made my solid state Marshall sound great. It alway made playing leads seem easier with that boost on. I left it on 24-7... I only rolled the boost back when laying down rythym tracks.
I kept the same pup/tone set after I got into tube amps (I guess I made my first Marshall my "reference" for life, with the Jackson pups).
Anyway, my stuff was like alternative hard rock - always distorted, with lead guitar and simple power chords. I haven't gotten any better!
I'm sick of the battery changes and active stuff. Oftentimes, the tone seems really good drive-wise, but a little mushy. I have a really bright amp (a Marshall JCM900 dual reverb), and I'm going to start using my Marshall Studio 15 more often. I never used effect pedals, and really would prefer not to, but the Studio 15 may necessitate using an OD pedal.
I play bridge pickup all the time, on a 1992 Gibson Standard, and a custom Explorer as well. Style-wise, Ace Frehley all the way for lead, love Cheap Trick and the Ramones too. I'd like to get a little more clarity, but still need some drive, since I'm a stinky lead player. Rythym is actually most important now. I think that makes me "classsic/hard rock", I would've thought "metal" 15 years ago, but that seems to mean the mesa/speed metal sound, right? I'm moving more to a Social D/Matthew Sweet/Cheap Trick sound, if that makes any sense... I'll use the whole bar chord and open chords more in my middle age! I roll back volume for clean. May get one of those Vox 50 watt fake amps too...
I'm thinking Dimarzio Super Distortion, Duncan Custom, and lately, a bridge '59. Maybe ceramic pickups were the "mushy" part? I've played a custom and a JB. I hated the JB. I felt like I was wrestling the guitar to get the same feeling as the jackson pups.
I think the J-50BC is a vintage ceramic design. I don't know the specs though. Anyone here play them before? I'm not 100% off of them, but would love some "double creme" on the standard again.
Custom seems like the safe choice, Super D the impractical but fun choice, and the '59 a slight risk of lacking drive without pedals.
Sorry for the hughe 1st post. Is it true that I have to have the duncan logo on a new purchased pickup? BTW, I have a Jazz in the neck, but really never use it.
Help!
Thanks
Dan
I need some help with a "life-altering" pickup change. To make it a little easier, here's a little history:
I just got back into playing with some guys, after a good 8 year layoff. Back in the day, I played out often enough to justify buying lotsa gear. Now I'm old, and cheap. So I'd like to get some input before I spend -
All of my guitars had Jackson j-50BC bridge pickups with the je-1200 active mid-boost. I became addicted to them when I got a Charvel in the 80's that made my solid state Marshall sound great. It alway made playing leads seem easier with that boost on. I left it on 24-7... I only rolled the boost back when laying down rythym tracks.
I kept the same pup/tone set after I got into tube amps (I guess I made my first Marshall my "reference" for life, with the Jackson pups).
Anyway, my stuff was like alternative hard rock - always distorted, with lead guitar and simple power chords. I haven't gotten any better!
I'm sick of the battery changes and active stuff. Oftentimes, the tone seems really good drive-wise, but a little mushy. I have a really bright amp (a Marshall JCM900 dual reverb), and I'm going to start using my Marshall Studio 15 more often. I never used effect pedals, and really would prefer not to, but the Studio 15 may necessitate using an OD pedal.
I play bridge pickup all the time, on a 1992 Gibson Standard, and a custom Explorer as well. Style-wise, Ace Frehley all the way for lead, love Cheap Trick and the Ramones too. I'd like to get a little more clarity, but still need some drive, since I'm a stinky lead player. Rythym is actually most important now. I think that makes me "classsic/hard rock", I would've thought "metal" 15 years ago, but that seems to mean the mesa/speed metal sound, right? I'm moving more to a Social D/Matthew Sweet/Cheap Trick sound, if that makes any sense... I'll use the whole bar chord and open chords more in my middle age! I roll back volume for clean. May get one of those Vox 50 watt fake amps too...
I'm thinking Dimarzio Super Distortion, Duncan Custom, and lately, a bridge '59. Maybe ceramic pickups were the "mushy" part? I've played a custom and a JB. I hated the JB. I felt like I was wrestling the guitar to get the same feeling as the jackson pups.
I think the J-50BC is a vintage ceramic design. I don't know the specs though. Anyone here play them before? I'm not 100% off of them, but would love some "double creme" on the standard again.
Custom seems like the safe choice, Super D the impractical but fun choice, and the '59 a slight risk of lacking drive without pedals.
Sorry for the hughe 1st post. Is it true that I have to have the duncan logo on a new purchased pickup? BTW, I have a Jazz in the neck, but really never use it.
Help!
Thanks
Dan