NGD x2!

Rex_Rocker

Well-known member
Actually got them a couple of weeks apart, but hadn't posted them yet!

First is the Epiphone Les Paul Standard 1959. I got this one last week, but it came in today. Plays amazing. Not a huge fan of the baseball bat neck, but the action is nice and low and the acoustic tone is to die for. I'm guessing the fat neck has to do with that. It's really fat and loud-sounding with just the nice amount of zing. I had both setup by the store I got them from, so I never got to try if this one had high frets, but they definitely left it playing great, LOL. I intend to make some mods to it, though. I've already got a DiMarzio X2N for the bridge position, and I want to change the bridge and tailpiece for Gotoh (bridge with brass saddles, aluminum tailpiece). I also want to order a DiMarzio Super 2 for the neck.

Next, my favorite of the two. The Les Paul Custom. I initially got this one, and took it home to find out it had some pretty bad high fret issues. No biggie, took it back to the store, and they sorted it out. Now it plays amazing. This one is a little quieter acoustically, but equally as fat-sounding. I've already started the mods for this one. It's got a Graphtech Resomax bridge, a Black Winter in the bridge, and a Distortion Neck in the neck. Still waiting on a set of Gotoh locking tuners and aluminum tailpiece for it, though.

Overall, I'm happy. I'm impressed with the quality of Epiphones these days. After some fret leveling, they definitely stack up no problem to the LTD's I'm used to playing.
 

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BTW, the stock pickups are fine, I guess. The stock Probuckers in the Custom were usable, just too weak, scooped, and plinky for what I'm looking for. The stock Burstbuckers in the 1959 are definitely an improvement in the clarity department, but still not what I'm after, so I'm getting myself some firebreathers to make these guitars sound the way I want my Les Pauls to sound, LOL.
 
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Nice. I love a fat neck myself.

Did the Resomax bridge make a difference to the tone - more brightness? or fuller lows?
And does it deliver more output as promised? Also, did it increase the sustain noticeably?
 
Nice. I love a fat neck myself.

Did the Resomax bridge make a difference to the tone - more brightness? or fuller lows?
And does it deliver more output as promised? Also, did it increase the sustain noticeably?
Yes, it did make a difference. I noticed the guitar was definitely louder acoustically, and it had more high-mid bite and less low-mid clutter. Can't tell about the sustain for sure. But it definitely did make a pretty noticeable difference.
 
Those are two beauties. I love the thick necks on my Les Pauls. The sustain is amazing and the tone is so full. Don't think about it and after a while you won't even notice the thickness.
 
Congratulations! Great pair of guitars. I love a chunky neck, so I appreciate the '59 neck profile.I'm guessing the neck on the Custom is a '60s slim taper?

Did you get a lifton-style case with the '59 LP?
 
Congratulations! Great pair of guitars. I love a chunky neck, so I appreciate the '59 neck profile.I'm guessing the neck on the Custom is a '60s slim taper?

Did you get a lifton-style case with the '59 LP?
The neck profile on Epiphones is weird. Many people complain about them being "D-shaped". They definitely don't come off like that to me, especially since I'm no stranger to Ibanez necks. But they're not as round as their Gibson counterparts either. They're more of a "U" shape rather than "C", IMO. So yes, the Custom has the 60's neck. It's thinner, but not quite as thin as the Thin U in my LTD's.

I didn't get the case. Custom was brand new, but the 1959 was a demo model, so I got a good deal on it. Part of the deal, though, was that I didn't get the case. No biggie. The store threw in a gig bag, and I prefer gig bags since I don't really gig and don't need the added protection, LOL.

Those are two beauties. I love the thick necks on my Les Pauls. The sustain is amazing and the tone is so full. Don't think about it and after a while you won't even notice the thickness.
Thanks, man! I don't mind the fat neck, actually. I just prefer thinner necks for sure. I feel more at home with them. But you're right, the neck is probably part of why it sounds so good acoustically.
 
I've always felt a fat neck adds a little something to the sustain, and the tone as well.
There are exceptions of course, every piece of wood being a little different.
But in general I've found it to be true.

I'm convinced long tenons help the sustain too, on guitars that have it - though IMO that doesn't affect tone.
 
So the tuners and aluminum tailpiece for the Custom came in today... except the locking tuners are non-locking! LOL, the seller screwed up. Oh well, they're still nice enough, and they look super classy on the headstock, so I'm just going to stick with them and get the difference refunded. And man, what difference does a quality bridge/tailpiece setup does to the tone!

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Not always! I used to have a PRS SE with the WIde Fat neck that sounded super thin and weak, and my old Ibanez Prestige RGA has been one of the best-sounding guitars I've had!
 
Not always! I used to have a PRS SE with the WIde Fat neck that sounded super thin and weak, and my old Ibanez Prestige RGA has been one of the best-sounding guitars I've had!

I was talking in regards to Les Pauls but yes it is not a hard and fast rule.
 
Yeah, for me, it's no big deal. I do prefer the 60's neck, but it's not like the 50's is uncomfortable. I wouldn't have bought the 1959 otherwise, LOL.

TBH, the only necks I have trouble with and avoid are V-shaped necks and/or 10" or rounder fretboards.

I used to have a PRS SE with the Wide Fat neck. Honestly, that neck was about the limit of what I find tolerable. Then again, I wouldn't buy another PRS with that neck profile.
 
Very nice man! The Black Winter in an LP is magical for me.
I really like them.

Congrats! X 2
I haven't tried a Black Winter in any guitar and disliked it, TBH. I had it in my old LTD EC, Ibanez RGA, and PRS SE. It sounded the worst on the PRS, but that guitar wasn't all that great sounding to begin with. But every other guitar I've had it in, it DESTROYS. I love the EQ curve, feel, and output of that pickup. IMO, it's the best things from the JB, Distortion, and Invader merged into a single pickup.
 
Quick update: I got to spend some in-depth time with the Burstbucker 2 and 3 pickups in the 1959... yeah, they just don't work for me, LOL. Don't get me wrong, they're great as far as PAF pickups go, but I just don't feel they're all that suited for the tone I'm after. Maybe if I build a whole new preset on my HX Stomp around them, but they definitely don't just drop into one of my existing presets. Even if I do build around them, the low-end is a bit too Alnico 2-ish for my taste.
 
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