Incoming NGD x2

Whittled it down to 21.5 mm
Removed all the poly but the fretboard
If i ever replace frets, I will do that then

First coat of tung oil is drying
 
So took the neck off today
Cut in an LSR nut
Made the cut a bit too wide
And just a bit too deep
Lessons learned

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Now to sand down the back of that neck.....

I've spent a little time upgrading a Chinese Squier, roller nut, roller trees, loaded pickguard with nondescript Alnico V pickups, haven't restrung it yet. Most time was taken after knocking out the nut and filing the slot to fit the new nut, and pushing it a little forward to avoid screwing up the intonation much. It's an easy error to commit.
 
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I've spent a little time upgrading a Chinese Squier, roller nut, roller trees, loaded pickguard with nondescript Alnico V pickups, haven't restrung it yet. Most time was taken after knocking out the nut and filing the slot to fit the new nut, and pushing it a little forward to avoid screwing up the intonation much. It's an easy error to commit.
I documented the break point of the original nut
36.4 mm from center of 1st fret
The error was in width of saw kerf

The gap in mine, though it looks bad from close up, is invisible from a distance
And so close to the nut as to be undetected by the player

On my Squire, I plan to be more aware.
 
Ok got the neck back on and nut shimmed
The roller nut is set up for a 9.5 radius
So the middle was cool straight up
High and Low E were on the fret
One thick shim and the High E cleared
But it took two thick on the Low E

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Changed the Logo
I don't think it affects the resale value
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You can see a stark difference in the tint
I prefer the natural color more than the bright yellow anyway

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You can't see in the image how much was taken off
The shoulder on either side is still a bit chunky
But it feels great to me
Slim Modern D , I think


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I removed all the tinted finish except the fretboard

If I ever change frets, I will sort that out then.


Now to the bridge

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On another note about the LSR nut

You know when you are tuning your strings and you always drop the pitch below the note and crank up into pitch...

Ain't gotta do that no more!!

And I left off the High E string tree
The strings sit fairly deep into the nut

I don't think it needs one
 
It took me quite a bit trial and error to figure out the shims...first, I didn't realize they were different sizes. Once I figured that out, I had to try different combinations to find the right ones.
 
I noticed there were three thick ones and three thinner ones
And if placed outside the screws they had a much greater impact on thw height

The nut is stiff enough to not need much in the center
 
Yeah, they are supposed to go on the outside of the screws. But on one, there was a weird 'sag' in the middle of the nut- I threw a shim there and it solved that issue.
 
Ok bridge

Had to whittle out a bit for the bigger brass block

Opened the upper side and removed the shelf formed when they glued on the top
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And hogged out a cavity for the block to swing into
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You can see the shelf in the image above
Not much off about 1/4 inch or 6 mm
Enough to free the block a bit

I have enough room for the full tilt o the trem

Once the black spray paint dries ( cover the wound) i will re assemble with new strings and post a clip
 
Alright. That bridge was a bit complicated

Remember to not lock the saddles until after you set the intonation
The lock wont let the saddle go forward

Mine is the 54mm version

The 52.5 mm version
is on sale on Amazon right now for $47

the locking saddles themselves are $150-200 on Ebay

If yu like the idea of locking saddles on a strat

Grab that one and just steal the saddles off for under $50

I think it may be an answer locking for a question

I tried it for about an hour and put it in the return mail
..
Already in the box

Went back to the original trem
When I get my refund
I may just get a Wilkinson
I do like the push in arm
 
Wilkinsons are fantastic. I also really like the Vega Trem, though that is probably more expensive. As far as the sag on the nut, it was on a compound radius neck, 12-16", and it wasn't there on my other identical neck. I don't know what the deal was, but without the shim on the problem one, the middle strings buzzed open, but were fine with a shim underneath the middle of the nut. Maybe it was a fret issue, but the shim worked so it doesn't matter.
 
That's badass. Is that a decal? How did you do that?
Clear packing tape

Laser printer your logo on plain copy paper not inkjet... that's a different technique

Once printed press clear packing tape over the image on paper
Rub it in well on a hard surface with the hard plastic handle of something like the scissors you're about to use next

Cut out the logo and check for size and location

Warm cup of water to melt the paper off the backing , pace cut logo in the water

It will take about 2 - 3 minutes for the paper to soften and gently rub off

Hold it under the water while rubbing and check to mack sure you get all of it off before continuing

When ready to place it wet the surface you will apply to using the cup of warm water from the last step , you don't need much

Lay the logo sticky side down on the prepared dampened surface

It will slid around easily into position

Once in position, press with a dry towel Alto remove water and dry surface

Let it air for about an hour then spray or rub your clear finish over top

The tape is a bit thick so it may take several coats to level

Be patient
 
Ok let me clarify

I watched a bunch of videos about sanding down the neck and reshaping it

They all seemed to think it was about 15 minutes to 1 hour process

This was not my experience at all
It took almost an hour just to get through the poly, it was very thick
Then the hard maple 🍁 was incredibly hard to sand even with 60 grit and power tools

I ended up using a coarse rasp to saw it down, then sand paper to get the grooves out.
It took about 3 hours all together, over 2 days

Very labor intensive
 
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