astronometric
New member
Hi, first time writing here.
I'm restoring/upgrading an early Fender Precision MiJ re57. I got new pots and output because the old ones were oxidized and I got a SPB-3 to replace the stock pickup. I like the sound of it but when I touch the pole with my fingers (for example, the tip of my thumb that is resting on the sting while I pluck) I get a static noise, plus I get some interferences sometimes (I pretty sure is not a problem of my electrical system). I double checked my soldering and everything is in order. When I touch any metallic part (strings excluded, I'm using black nylons) the noise disappears so I checked the ground under the bridge but it is doing contact properly.
I googled a bit and I found this article: http://www.audereengineering.com/FAQ_PUMag_Gnd.htm
I think that the article is right, because if I touch one pole an then the bridge, the noise goes away, but I'm not an electrical engineer and my knowledge in this field is very basic. Should I do what is said in the article? An in that case, the wire from the copper foil has to go to ground right? Following the Seymour Duncan mounting scheme for a split-coil, where is the best place to solder it? I guess on the tone pot where all the other grounds are?
I'm restoring/upgrading an early Fender Precision MiJ re57. I got new pots and output because the old ones were oxidized and I got a SPB-3 to replace the stock pickup. I like the sound of it but when I touch the pole with my fingers (for example, the tip of my thumb that is resting on the sting while I pluck) I get a static noise, plus I get some interferences sometimes (I pretty sure is not a problem of my electrical system). I double checked my soldering and everything is in order. When I touch any metallic part (strings excluded, I'm using black nylons) the noise disappears so I checked the ground under the bridge but it is doing contact properly.
I googled a bit and I found this article: http://www.audereengineering.com/FAQ_PUMag_Gnd.htm
I think that the article is right, because if I touch one pole an then the bridge, the noise goes away, but I'm not an electrical engineer and my knowledge in this field is very basic. Should I do what is said in the article? An in that case, the wire from the copper foil has to go to ground right? Following the Seymour Duncan mounting scheme for a split-coil, where is the best place to solder it? I guess on the tone pot where all the other grounds are?