misterwhizzy
Well-known member
I imagine the reaction will most likely be, "Cool story, bro," but whatever.
I'm kind of obsessed with my Revv G4 as a preamp into the effects return of my Marshall Origin 50. I recently decided to play around with some Recto tones, and what I got was overly bassy and with a little less presence than I think I needed to make chords clear. Turning the bass down kind of killed the vibe and how huge it sounded, and turning up the treble started to get into bees-in-a-can territory. The Green Rhino I've liked in the past wasn't quite cutting it, because it's smoother in nature than what I wanted, regardless of how many knobs and tweaks are available.
In the past, everytime I've tried to get along with an SD-1 instead of something with symmetric clipping, it's been too bright and harsh, but for this it pushed things perfectly. It cut enough bass and pushed enough upper mids to give a giant crunch. All I had to do was dial back a bit of gain on the Revv, and there it was. This is going to be fun. Now I get it.
I'm kind of obsessed with my Revv G4 as a preamp into the effects return of my Marshall Origin 50. I recently decided to play around with some Recto tones, and what I got was overly bassy and with a little less presence than I think I needed to make chords clear. Turning the bass down kind of killed the vibe and how huge it sounded, and turning up the treble started to get into bees-in-a-can territory. The Green Rhino I've liked in the past wasn't quite cutting it, because it's smoother in nature than what I wanted, regardless of how many knobs and tweaks are available.
In the past, everytime I've tried to get along with an SD-1 instead of something with symmetric clipping, it's been too bright and harsh, but for this it pushed things perfectly. It cut enough bass and pushed enough upper mids to give a giant crunch. All I had to do was dial back a bit of gain on the Revv, and there it was. This is going to be fun. Now I get it.