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martinsixstringcustoms
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Re: One of the most amazing guitars I've ever seen
Thats an impressive guitar!
Thats an impressive guitar!
If it's going to be used on stage then SOME of it's impact is lost.FretFire said:That's exactly why I'm saying hammers and guitars aren't exactly a good comparison here... we care what guitars look like, we usually don't care what our hand tools look like.
This is all missing the point of the thread anyways, I'm not going to argue about something as subjective as an opinion of a guitar's looks.
Huh?FretFire said:On stage vs. in a studio makes no difference to me, because I don't buy the guitars to impress other people. The aesthetics of a guitar have to be pleasing to ME, I am the one playing it after all. Admittedly, aesthetics come second to playability and tone to me, but if I have say 3 of the same kind of guitar all of different colors, I'm going to buy the one in the color I prefer. It seems to me we just look at guitars differently, which is perfectly fine. Peace.
How am eye arguing?tfb1990 said:how are u arguing so much? its just what a guy wanted, and who knows, it might play horribly, but on the other hand it might be great! jeez, u dont know, im nto sayin i know, but no one here knows, not tryin to get in the middle but really... whats the point of arguing?
TheGZeus said:Huh?
No one else can see you playing it, and you care how it looks?
WHY?
"I'm the one playing it" yeah, PLAYING it, not...GAZING at it lovingly or something.
TheGZeus said:I'm not arguing it's playability.
i'm arguing that this thing is laden with features that add no value.
The neck is less stable due to the inlay work.FretFire said:That's the thing though, the value of the features are all in the eye of the beholder. There are no absolutes in this situation.
I agree that there is no arguing going on though, it's pretty peaceful IMHO.
I have art hanging on my wall. My guitars live in cases.FretFire said:Absolutely I care how it looks, and I don't really care what others think of it. I may be playing the guitar, but I don't play it constantly. It's nice to be able to get done playing an instrument, put it on it's wall hanger, and look at with a smile and think "it sounds good AND it looks good". It's about a complete package IMO.
I wouldn't buy a guitar that only looks good, but I would definitely consider a guitar that sounded great but didn't really please me aesthetically. The real magic happens when you find one that pleases your eyes AND your ears though.
Sure the crowd can't see the inlay on the back of the neck of this guitar, but he can. And he can appreciate the guitar during the time he's NOT playing it as well. IMO, the pride of owning a guitar doesn't stop when I take it off.
What I meant is you'd need to understand how rare some of the features are and how hard they'd be to achieve to appreciate the instrument.the_Chris said:While I see what you're saying and agree somewhat TheGZeus, calling this guitar a "joke" isn't very accurate either.
People will spend their bank accounts any way they want. I prefer tone over cosmetics, but if the cosmetics come with the package then I'm all for it. Obviously, the guy that decided to put down the money on this had one hell of a vision and Ron Thorne would be damned if he couldn't complete it. With or without the aid of CNC, there are some very radical things going on there.
Even though I feel the guitar is a bit too much, I respect the time and quality of the work Ron Thorne does. The inlay work is beautiful, the woods are very beautiful, the craftmanship looks extremely tight and according to the specs, it sounds very toneful (although if that guy actually gigged with that guitar, I'd like to punch him in the throat).
TheGZeus said:What I meant is you'd need to understand how rare some of the features are and how hard they'd be to achieve to appreciate the instrument.
Inside jokes require you to understand any things before you can find them funny.
The inlaid top if you explained it to somone who's never had to deal with something this hard to do with wood would say "Why's that a bid deal?"
"Well it'd be really hard to do without chipping out the edges or there being gaps."
"ok....but why did they do it instead of just like, putting different wood around the outside after they put it on the top? Like that other guitar over there."
"......I dunno...."