CTN
The Drama Dude
For my very warm sounding Ibanez Mahogany bodied set-neck (maple/rosewood) super strat:
Dimarzio X2N bridge (the old one with the nickel steel baseplate)
Burstbucker 1 neck (buddy is offering to trade for my DMZ PAF Pro)
I thought about keeping the PAF Pro but i'm kinda burnt out on it as I've had it many years and don't much care for it anymore.
I've read that the BB1 in the neck position can tend to be a bit dark, but I can mag swap to my heart's content with the BB
I have on hand:
A2
A3 polished
A3 roughcast
A4
A5
A5 roughcast
A5 unoriented/roughcast
A8
Ceramic
I'm thinking about putting in either a ceramic or A8 and putting it in parallel (might have to do some surgery for that one since it comes with a 2-conductor lead), or keep it in series and put an A4 or one of the A5s in.
I'm looking to get a sound out of the BB that is sweet and bright enough to cut through, without getting muddy.
Thoughts? suggestions?
Dimarzio X2N bridge (the old one with the nickel steel baseplate)
Burstbucker 1 neck (buddy is offering to trade for my DMZ PAF Pro)
I thought about keeping the PAF Pro but i'm kinda burnt out on it as I've had it many years and don't much care for it anymore.
I've read that the BB1 in the neck position can tend to be a bit dark, but I can mag swap to my heart's content with the BB
I have on hand:
A2
A3 polished
A3 roughcast
A4
A5
A5 roughcast
A5 unoriented/roughcast
A8
Ceramic
I'm thinking about putting in either a ceramic or A8 and putting it in parallel (might have to do some surgery for that one since it comes with a 2-conductor lead), or keep it in series and put an A4 or one of the A5s in.
I'm looking to get a sound out of the BB that is sweet and bright enough to cut through, without getting muddy.
Thoughts? suggestions?
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