Re: Pickup Choice for Maple Neck-Through
What kind of music do you play?
No one wants to hear this (cover band alert!) when judging tone options, but: with my cover band I play stuff from Creedence Clearwater Revival, Gn'R, '80s ballads, to re-orchestrations for guitar (we're a keyboardless outfit) of tunes by, e.g., Depeche Mode, along with some pop tunes a la Duffy or jazzier stuff a la Amy Winehouse. As with all cover bands, a certain degree of tonal versatility is a must.
On my own, I mainly play (hard) rock, some jazz, some pop(-ish) stuff.
Never extreme metal, hardest stuff I'd play at the moment would probably be no harder than some Metallica/Iron Maiden ballad.
What I would ideally use on regular basis would be:
- crispy, yet fat cleans, with good split options (which I further beef-up with dedicated presets, but I still need something good to build upon); as defined as possible, especially in the bass. I'm probably a "single coil in the neck" type of fellow, if that says something about my kind of clean tones (think Queensryche cleans - btw, I think Michael Wilton uses the Custom Custom in the bridge), however I need an HB there for versatility, in this particular guitar.
- smooth, singing distortion, with some snarl, and bass definition is paramount. I don't need extreme tightness, but I need to know each particular note is well defined; I can't underline enough how important bass note definition (not necessarily conventional "tightness") is for me, with distortion.
This video, a CC in a Carvin, illustrates very well the kind of distorted bridge tone I'm after (it's of the "brownish" EVH side, I guess you could say):
http://youtu.be/4SwVNfR3fu4
In the video, to my ear, the tone is middy, but not honky (a big "yuk!" for me), the highs are smooth, and the bass notes are very clear and defined, very rich upper harmonics for the low notes (which gives the definition, I'd say). Indeed, not much "chugga-chugga" potential there, but I don't need more than that. Question is, will the CC work the same in my guitar?
The samples I recorded (
https://soundcloud.com/sunamumaya/sets/seymour-duncan-jb-vs-custom-sh) illustrate my problems, I think, and in my daily experience, I find that, on the amp, I mostly have to reduce the Treble drastically (to 3-4), up the mids (to 6-7.5), and the bass (to 6-8.5, but I get boominess and woofiness, instead of "body" and definition), and many times I still have to turn down the guitar tone knob. Something is clearly off, IMO. Another complaint would be the very pronounced, sharp attack, for which reason I have great difficulties with compressors.
Please let me know if you need further information.
Thank you!