Re: Pickup for rockabilly
Hard to beat pearly gates for that kind of sound. Nice twang and growl from the bridge. Vintage jazz warmth in the neck.
You'd think Phat Cats would be great too but they actually sound pretty dark.
Most important ingredient is the amp though. What are you using?
I love what I hear about PGs. I have APH1s in my Dearmond and they can be pretty darned spanky and really twang when I put the coils in parallel.
I like what I hear with Phat Cats but listening to demos, a couple of UK boutique pickup makers do the job better but without trying for myself it's hard to really know, especially when all the demos use different amps from fender Tweed, Tone Master, Fender bassman, peavy, modern Amos, Marshalls or DI into a recording interface using modelling amps.
The amps I use depends where I am and what mood. I have access to a Bugari valve head and a cab with 4X12" celestions, but when I am at home it's either my old Solid state Fender combo or my old solid state Marshall combo both of which sound good, I use the Fender for clean and low gain and the Marshall for more raunch and rudeness.
For recording I find using software modelling amps are great, for country I use the blackface fender, for rockabilly the fender tweed or brown face work well, but so does the black face. I actually use my strat for playing a lot of rockabilly as I have a neck and bridge blend pot but I think for the tone I am looking for I want a fatter ruder tone but still all the spank, sparkle and twang.
I like the sound of Gibson burst bucker 1 and 2, the 57s also sound decent with clarity and sparkle.
Sent from my iPhone using Tapatalk